The Unaswered Question

This past weekend, I attended Pat Pattison's Songwriting Workshop, for the second time. Like the first workshop, it was a fantastic and fun weekend.

My purpose in posting however, is not to discuss that, but to talk about a set of video lectures, the Pat recommended. The Lectures are titled, The Unanswered Question, Six Talks at Harvard by Leonard Bernstein.

At the present time, I have only viewed the first and second talks, and these lectures are amazing. They tie together concepts that I have acquired over my musical life. Some of this information has already been relayed to me in the past, by my teacher, John Esposito. Over time, I had found similar threads and references, in interviews of Steve Reich and Victor Wooten. Of course, Pat is also very tuned into this meme.

Even though I still many hours of viewing to go, I can safely say that I know I will never look at Music the same way again. Among other things, the Lectures provide the framework for a Grand Unified Theory that succeeds admirably, in tying together Language and Linguistics with Music.

These lectures are must viewing for anyone that loves music.

Little Feat at the One World Theater

Little Feat played two shows at the One World Theater last night. I caught the late one with a friend of mine, and was expecting a good show, since I was in the front row.

I last saw Feat about around 2001 or so, at Stubbs. They played a fairly long show at that time. This time, I estimate that they played for approximately 90 minutes. I was surprised (and somewhat disappointed) that vocalist Shaun Murphy was no longer with the band, and that Richie Haywood was not on tour (for health reasons). The band presently performs as 6 piece:

• Fred Tackett - Guitar and Vocals
• Paul Berrer - Guitar and Lead Vocals
• Bill Payne - Keys
• Sam Clayton - Percussion
• Kenny Gradney - Bass
• Gabe Ford - Drums

I can't remember the entire set list, other than Times Loves a Hero, Oh, Atlanta, and Dixie Chicken. The show was good, but not stellar. There were some sound issues (something that I didn't expect at a One World Show).

Ravens vs. Patriots - Week 4

It sucks to lose a game like this. Mark Clayton, you have got to catch that ball. Several Ravens and Coach Harbaugh will most likely be fined, for comments about the officiating. Harbaugh was clearly audible dropping the S* bomb on TV.

To be honest, the referees deserve every bit of criticism they got.

ACL 2009 - Day 3

... and it's still threatening to rain

Faced with another day of down-pours, and my allergies kicking up, I decided to punt! Would have liked to have seen Pearl Jam, but it's not in the cards.

Given the choice between rain and heat, give me the heat!

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Update

Looks like I missed an opportunity to slosh around in Dillo Dirt. Yum, yum!

ACL 2009 - Day 2

... and it rained
Today was very reminiscent of SxSW 98(?), where it rained non-stop for most of the music festival. While welcome by the drought sufferers for sure, it really put the whammy on the festival. I had rain gear, but declared defeat at around 5:30PM, and headed home. Here's a summary of what I was able to see during this shortened day:

The Henry Clay People

They were listed as Pop/Punk, but they sounded more like a late 60's group to me. Towards the end of their set, the played of cover of Bang a Gong, by T Rex

The Virgins

A NY dance rock band, kind of like the Velvet Underground meets the New York Dolls. They were entertaining, and seemed to appeal to the under 25 crowd.

Ravonettes

Had to cancel their show. They were replaced by a totally forgettable band from Austin, that took their place. My friend Dan and I both agreed to move on after hearing one song.

Soul Stirrers

An absolutely kick ass gospel/soul band. Quite the rhythm section!

Bell X1

This was a great Irish pop band sitting somewhere between U2 and Van Morrison. The piano player was quite exceptional. I'd go see these guys again, for certain.

Sam Roberts Band

A fantastic band from Montreal. They sounded somewhat like 3 Doors Down. Excellent vocals and musicianship. Made passing the time in the pouring rain, tolerable.

The Airborne Toxic Event

Another very competent pop band.

The weather

At this point in time, I was cold and starting to get soaked, even though I had a Poncho on. I decided to make it the end of the day.

ACL 2009 - Day 1

Got up fairly late today, and decided to trek on over to Kerbey Lane for some Gingerbread Pancakes, before heading downtown. As a result, I was only able to hear the last chorus of Asleep at the Wheel's last song, as I entered the gate.

After checking out the new lawn in Zilker, and filling up my Camel Pack with water, I headed over to the Dell Stage for Blitzen Trapper. As I arrived in the area, the lead singer was doing his best Robert Plant impersonation, but the rest of the show slowly wound down into some fairly uninteresting music.

Medeshi, Martin & Wood

The Livestrong stage was the next stop of the day. Medeshi, Martin & Wood is a trio, consisting of keys (mainly B3), bass, and drums. They were listed as a Jam Band, and I feel that was a fairly accurate description. Unfortunately, I can't say I'm a big Jam Band fan. I would have preferred hearing a trio like this in a pure Prog context.

Coheed and Cambria

This a Metal Prog band from the Mid-Hudson Valley area of NY, my old stomping grounds. They are a fairly competent Prog/Metal band, and fortunately do not do the Cookie Monster vocals.

They drew a very respectable crowd, and played a cover The Church's song, Under the Milkyway towards the end of the set. Given the age of the crowd, I'm not sure how many present recognized it, even after the band acknowledged the band.

Robyn Hitchcock and the Venus 3

A good set of British Power Pop band, with Bill Rieflin on drums. A very nice change of pace for the afternoon.

The Greencards

The Greencards are a Bluegrass band from Australia, from what I could gather, they were all very accomplished musicians. There was a big problem however with sound bleed over, from the other stage. It was impossible to hear some of their songs, because the song from the Livestrong stage was drowning it out.

Them Crooked Vultures

Ok, they're supposed to be a super-group. I found this band to be pretty uninteresting, and it seemed like they mailed it in to me. Of course, I was only 1000 rows back from the stage. Actually standing on top of the hill in front of the AMD stage, in order to watch the video.

I'm a big Led Zep fan, but not a fan of Nirvana, the Foo Fighters, or Queens of the Stone Age. I find the latter 3 bands tiring, at best. Sorry, but I don't get this band, nor do I get the hype. These guys are no Chickenfoot. (LOL)

Yeah, yeah, yeah

The last band of the day. All I could say was No, no, no. Dan and I amscrayed during the middle of the set.

Observations

For some reason, several of the stages (XBox, Livestrong, BMI) seemed noticeably smaller. However, the PAs certainly weren't. In fact, there were multiple problems with bleed over. It was impossible to hear anything from the BMI stage, if Livestrong had something. Sound was also leaking from the Austin Ventures, to the AMD. This was truly annoying!

ACL 2009 - The Quickening

It's that time of the year again. Friday 1100, be there, aloha!

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Ravens vs. the Browns - week 3

As part of my very extended weekend trip, I was present at M&T Bank Stadium, to watch my Ravens slaughter the Browns, 34 - 3.

After raining all morning, the sky cleared up just before kick-off, and we had nothing but blue skys. As luck would have it, my friend and I were able to swap our upper deck tickets for seats in the Club Level. What a great exclamation point, to punctuate the trip with.

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Porcupine Tree x2

PT is presently one of my favorite rock bands. When the tour to support The Incident was announced, I was a little disappointed that I would have to fly to see them (again). I originally bought the tickets for the Philadelphia show, back in April. Things looked like they were working out well for me, since I could also visit my family, and catch a Ravens game during the same trip. I had also arranged to meet up with some friends from Austin, who were flying to see them in Philly, as well.

Several months later, a Baltimore show was added on Friday night, making my (and my friend's) schedule a bit more complicated. As a result, I ended up having to drive from Leonardtown to Baltimore, catch the PT show, drive to Philly the next day for the second show, then get up at 4:30 AM to drive back to Baltimore to tailgate, on Sunday morning. Needless to say, it was exhausting, but I made it. Fortunately, next weekend will be nice and relaxing with just the ACL Festival (LOL ;)

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Rams Head Live - Baltimore, MD - Friday 9/25

In hindsight, this may have been the show of the year for me. It was the better venue and performance of the two shows. The only slight minus was the lack of seating. It's a GA venue, with one web site listing the capacity at about 1600 people. If it wasn't a sell-out, it was close, because the club was packed.

The openers, Kings X, played for approximately an hour, followed by 2 sets of an hour each, by PT. For this tour, the first hour set consisted of a complete performance of the Incident, with the 2nd set consisting of a rotation of some older material.

The band had posted a No pictures or recoding request at the venue, and I complied with their request, for both shows. I was able to secure a position, right behind the sound board for this show, which made for an excellent listening experience.

Afterwards some members of PT were out and about. In particular, John Wesley, Colin Edwin, and Richard Barbieri. I'm not much of an autograph collector, but I did get to chat with Colin for a second. I noticed Richard Barbieri high tailed it quickly out of there, and that unlike Houston in 2007, Steven Wilson was nowhere to be found. I asked Colin to talk the band into playing Texas more, and in particular Austin. It sounds like their agent is deliberately restricting them to large metros, because of concerns about the US economy.

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Electric Factory - Philadelphia, PA - Saturday 9/26

This venue was also GA, and a bit bigger, holding approximately 2000 to 2500 people. The sound was good, but not exceptional. In general, there's a certain vibe that comes with attending a Philly/South Jersey show that detracts from the experience. True to form, a fight did break out during the show. I called it about 2 minutes before it happened, to my friends. It's kind of sad that this wasn't a surprise.

There were quite a few faces in the crowd that I recognized from the previous night, and this show was the first indication for me, that PT is becoming very popular. The set list was essentially the same, with some differences in the second set, as had been noted on the PT boards. One surprise however, was Normal from the EP, Nil Recurring.

I did talk to several people who mentioned that on previous tours, PT had played the Keswick when they came to Philly (where I saw King Crimson and which has seating). I also noticed, that there were a significant number of females in the audience, which is noteworthy for any band that might even tangentially have the label Prog associated with it. Perhaps this shouldn't be surprising since although they are labeled, Neo-Prog, they seem to be able to attract fans from the Prog, Metal, and Pop worlds in a way I've never seen before.

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Opening Act - Kings X

My friends, Ron and Alissa, have raved about this band for a while. They are actually from Houston, and after seeing them twice, I am now sorry I didn't go see them at the Red Eyed Fly in Austin. The lead singer/bass player, Brother Doug, is awesome. The guy is one of those classic rock scream/singers like Robert Plant or Ian Gillian, but takes it to a new level.

I will go see these guys, next time the return to Austin.

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Good News

Steven Wilson mentioned a Spring Tour! Here's hoping for a stop in TX.

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Update

PT has a blog and pictures from the Electric Factory show

Living Colour at Emos

Living Colour is back! For about 2.5 hours, I saw this incredible band rise like a Phoenix, from the ashes, outside at Emos. To be honest, Emos seemed almost like an inappropriate venue due to its size. However, in hindsight, it was just fine.

The band covered material from Vivid, Times Up, Stain, and the latest effort, The Chair in the Doorway. Realizing that I don't have a copy of Collideascope, I'm not sure if they played any material from the album. (I just remedied that problem via the Amazon music store).

A highlight of the night was the band's cover of Crosstown Traffic to commemorate Jimi Hendrix. Ironically, this show occurred on the 39th anniversary of his death, 9/18/1970. The other highlight for me was getting to talk to Vernon after the show, and talk about our mutual friends, all associated with the late, great, Arthur Rhames.

In closing, let me say this was a great show, and I hope to see them again. Hopefully, next year!!!

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Ravens vs. the Chiefs - week 1

Something strange is happening here. The Ravens had 501 yards of Offense, winning 38 - 24, with 5 TDs and 1 Field Goal. Joe Flacco had 300 yds passing, and the 3 headed monster in the backfield, Rice, McGahee, and McClain are really going to be something.

So this is what it's like to have an Offense?

Added bonus from yesterday, I finally found a Sports Bar in Austin where fellow Baltimorons congregate, The Tavern on 12th and Lamar. There's probably 30 of us.

Bela Fleck, Zakir Hussain, and Edgar Meyer at the Bass Concert Hall

An eclectic, but interesting show. Bela Fleck, was accompanied by Tabla Master, Zakir Hussain, and Acoustic Bassist, Edgar Meyer. I've seen Bela 3 times within the past two years at ACL and SxSW, with the Sparrow Quartet and the Flecktones. It is also the second time that I have seen Zakir, who is incredible. This is the first time that I have ever seen Edgar play.

The show last night, consisted of two sets of approximately 1 hour, with a short intermission, and a single song encore. The acoustics were fantastic, with this trio being almost tailor made for the Bass Hall.

All I can say about this show is that it was a fascinating fusion of Indian Classical, Bluegrass, and American Jazz, by 3 masters. Plenty of room was left for improvisation by each musician. Any further attempts at a description would fall into the Dancing about Architecture category.

This trio did record a CD, The Melody of Rhythm which I highly recommend.

Declan MacManis and Sugercanes at Bass Concert Hall

Before continuing, I should mention that I have been a huge Elvis Costello fan, since my highschool days. However, I must admit that I had not been following his post-punk career until SxSW a few years back. He was a keynote speaker that year, and I saw him perform that week with the renamed version of the Attractions, the Imposters, at La Zona Rosa. I started digging into the vault, after that show.

Tuesday night, I had the pleasure of seeing Elvis Costello and the Sugarcanes play for approximately 3 hours, at the Bass Concert Hall. This time around, he has genre jumped into playing a sort of American/Bluegrass variant. The new album and material was produced by T-Bone Burnett, so I was looking forward to seeing the show.

Upon arriving, I was pleasantly surprised to find myself in the 2nd row. There's no need to say anything about the sight lines, or the acoustics, since both were exceptional. The Bass Hall appeared to be close to full capacity for this show.

For the new album and this tour, Elvis was accompanied by an acoustic string band consisting of the following people:

• Jeff Taylor – accordian
• Mike Compton – mandolin
• Dennis Crouch – double bass
• Jerry Douglas – dobro
• Stuart Duncan – banjo, fiddle
• Jim Lauderdale - harmony vocals

I was somewhat disappointed to discover that T-Bone himself, was not present, even though he plays on the album. Regardless, this band was awesome, and I'm happy to report that there was no tinnitus from this event.

Over the past few weeks, I had already given his new album several listens, and believe he covered most of the material during the show. Elvis also performed new versions of some of his older songs, including:

• (Angels Wanna Wear My) red shoes
• Mystery Dance
• Blame it on Cain
• Alison
• (What's So Funny 'Bout) Peace, Love, and Understanding?
• Everyday I write the book

After playing, for approximately 2 straight hours, Elvis and the band were called back out for 2 encores which ended up lasting almost an additional. During this time, they were also joined on stage by Patty Griffin. What a treat, and fantastic way to cap off a great evening of music.

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Tom and Bert for the 3rd and Final Time

After the house concert last Wednesday, I was invited by Suzanne Oleson's mother to the last house concert in Austin, on Mt. Bonnell. An excellent evening of music once again.

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Bert once again had pictures on his blog, as well. I'm glad he posted them, because the last picture I took with Tom, Bert and Suzanne with my iPhone, was too blurry to use. I can't wait to hear Tom and Bert's new CD to be recorded at the end of this tour, and am anxiously awaiting the return of CGT next spring.

My Daily Morning Lifestream Experiment

Starting on July 31, 2008, I began taking a picture off of my balcony, of the Walnut Park area. To do this, I used the iPhone application, Airme. I have archived this as a stream on Flickr.

As of today, the count is up to 374, so I have more than a year's worth of photos. Looking at the stream, it appears there was an initial period of flux, after which I settled in on framing a consistent shot every morning.

I'm not sure how long I will continue this task, but I am surprised I have been able to keep it up this long. I think I will try to buy one of more of those 802.11g based webcams, since I think some other interesting things could be done with that.

Tom Griesgraber and Bert Lams - Episode 2

Tonight I was able to see Tom and Bert play at a friend's house concert. Once again, the experience was fantastic. There is something special about seeing music in this context.

The show was further augmented by Suzanne Oleson, a local musician now attending Berklee School of Music, who sings and plays guitar and mandolin. Suzanne joined Tom and Bert for 2 encore numbers, including the Marsh.

Another fantastic evening of music, with some very special moments:

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Encore with Tom, Suzanne and Bert

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Update

Once again, the show at Ted's house made Bert's blog. You can see a much better picture (with a flash) of Tom, Suzanne, and Bert.

Extract Premier

I recently bought my SxSW 2010 badge and was entered into a contest for tickets to the World Premier of Mike Judge's new film, Extract. As luck would have it, I received an email last week that I had won a pair free tickets. (Of course, free ignores the price of the badge, but who's counting?)

The Premier was actually a benefit for the Austin Film Society, and Mike Judge and lead man, Jason Bateman were available afterwards for Q&A. It was held at the Paramount, and even though I was in Row R in the balcony, the screen was still visible.

I found it enjoyable, and would rate it as good, but not a classic like Mike's film, Office Space. I would still recommend it to people because it's certainly much better than the recent Terminator Movie or Harry Potter.

Other things of note were that I thought that I recognized that the exterior of the fictional company, Reynolds Extract, looked remarkably similar to Adams Extract on Rt. 35 south of Austin. Sure enough, one of the after show questions confirmed this. Many of the external scenes were filmed in and around Austin (Hutto), but all of the interior shots were done in LA.

Since I found the movie worthwhile, I won't post any plot spoilers. I will mention that my friend and I found the plot twist at the end with the neighbor, sick and twisted, but hilarious. I won't say any more than that.

Tom Griesgraber and Bert Lams - Episode 1

Last night, I had the pleasure of seeing California Guitar Trio member, Bert Lams, with Chapman Stick player Tom Griesgraber, alfresco in the FEFC Courtyard. This was the very first show of their mini-tour which will include playing multiple shows here in Austin for the next week, before moving on to a other Southwestern states. At the conclusion of this tour, Bert and Tom will be going into the studio.

When I arrived at 6:30, the duo was performing a sound-check, and the acoustics of the courtyard sounded fantastic. There was room for approximately 50 people, making for a very intimate setting. I knew I was in for a treat, and I was not disappointed.

I estimate that the show ran 90 minutes or so, maybe 2 hours. The show consisted of material contributed by both Tom and Bert, including one of my favorite CGT songs, the Marsh. (I've now seen 3 version of this song with CGT, the UT Percussion Lab, and this duo, all were excellent). Both artists performed solo pieces, along with several new, yet untitled pieces. The highlights for me were Victor's Chase, Tom's tribute to his grandmother entitled, Rebecca, and a rendition of Chopin's Revolutionary Etude, with Bert and Tom playing the right and left hand parts.

After the show, both Bert and Tom were available for a Meet and Greet. I purchased two CDs, and was able to chat with both artists. Tom and I talked at length about the Woodstock area, because both of us had lived in or around there in our past. I am anxious to see them play again later this week, and am considering catching them at the Cactus Cafe, next Monday, as well.

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Update from show 1

I noticed today that Bert had some pictures from the FEFC on his blog.

RIP: Les Paul

Truly sad news today. Les Paul was one of the great ones, without him we arguably would not have the Electric Guitar or tape overdubbing. I haven't been this bummed out, since Bob Moog passed away.

Ronnie Biggs released

It all started this past spring, when I started refreshing my vinyl collection with digital copies. First it was Elvis Costello, the Clash, the Pistols ... About 2 months ago, I bought a fresh copy of The Great Rock 'N' Roll Swindle.

You see, in the late 70's, I was a punker. Naturally, I loved the Sex Pistols. One of the more outrageous stunts they pulled is on the Swindle album. It features Ronnie Biggs, as vocalist on two tracks.

Ronnie (for those that don't know) was a participant in the Great Train Robbery of 1963, escaped to Brazil, and evaded extradition back to Britain for 31 years. While I don't condone his actions which were clearly criminal, you had to laugh at this stunt.

Ronnie eventually returned to Britain voluntarily in 2001, for medical reasons and was promptly arrested, and incarcerated. What a surprise to see this headline today.

Can you guess what I'm about to go listen to?