Dweezil Zappa Plays Zappa at Stubbs

I saw Zappa Plays Zappa again after at Stubbs last night. Previously, I had seen ZPZ two times. Unlike those previous shows, I was a little tentative about this one. If I am to believe the rumors, all is not well in the ZPZ camp. There's squabbling with other Zappa Tribute Bands, special guests going AWOL, and musicians leaving the "core" band.

For this particular tour, there are no Alumni/Special Guests, the primary keyboard player, Aaron Arntz is gone, and there's a new lead singer, Ben Thomas. Ben was a very accomplished vocalist, but didn't have the extra umph and stage presence of a Napoleon Murphy Brock or Ray White.

The show started somewhere around 8PM, with Apostrophe and lasted approximately 2 hours, maybe 2 hours and 15 minute. Dweezil mentioned after the first song that there would be an Austin guitarist joining the band on stage, but didn't identify him at that time. I found the remainder of the show to be well done, but lackluster when compared to the two previous shows I had seen. There was some effort to play new material not covered on previous ZPZ tours, however they obviously avoided some songs.

Later, the special guest ended up being Eric Johnson. Once again, I listened to Eric's somewhat shaky blues improvisational skills. Now I like Eric just as much as the next fan, but jamming is not one of his strengths. This show confirmed what I had witnessed at a Robben Ford show a couple years back. Eric had the same problem then, although it was more obvious because David Grissom was also on stage. Dweezil helped get this potential train wreck, back on the rails.

My remaining comments about the show: Sheila Gonzalez plays some absolutely awesome Saxophone (and Keys) during the show, and Billy Hulting on Vibes/Percussion, and Joe Travers were also impressive. This was however, the weakest of the 3 shows that I have seen. Then again, it's hard to top having Ray White, as lead singer.

Jean-Luc Ponty at the One World Theater

Oh, what a show! I've been looking forward to seeing Jean-Luc Ponty for several months, since purchasing the tickets. Admittedly, I have not kept up with his career lately, but JLP's music is like an old friend. It's hard to believe that Cosmic Messenger, Enigmatic Ocean, and Imaginary Voyage are over 30 years old. Time surely flies, as it seems like only yesterday that I was listening to these records in my college frat-house.

Last night, my friend Dan and I went to the later (and latter) of 2 shows at the One World. The seats were fantastic, being in the front row, putting us no more than about 10 feet away from Jean-Luc and his 3 band-mates:

• Baron Browne - 4 and 5 String Electric Bass
• Damien Schmidt - Drums
• William Lecomte - Keyboards

I was unable to find a set list, but I reckon that they played close to 90 minutes, with each musician taking a solo, and a single song encore, Big Country. I can remember them playing Cosmic Messenger, and a new arrangement of The Struggle of the Turtle to the Sea. I found it somewhat funny that even though there was no guitarist present, I could hear the guitar parts inside of my head.

I was very impressed with the band, and keyboardist was fantastic. Jean-Luc joked that the drummer Damien wanted to get out of playing, and become a producer. That will be a shame if he does.

In closing let me just say that I now wish I had bought tickets to both shows.

The Unaswered Question

This past weekend, I attended Pat Pattison's Songwriting Workshop, for the second time. Like the first workshop, it was a fantastic and fun weekend.

My purpose in posting however, is not to discuss that, but to talk about a set of video lectures, the Pat recommended. The Lectures are titled, The Unanswered Question, Six Talks at Harvard by Leonard Bernstein.

At the present time, I have only viewed the first and second talks, and these lectures are amazing. They tie together concepts that I have acquired over my musical life. Some of this information has already been relayed to me in the past, by my teacher, John Esposito. Over time, I had found similar threads and references, in interviews of Steve Reich and Victor Wooten. Of course, Pat is also very tuned into this meme.

Even though I still many hours of viewing to go, I can safely say that I know I will never look at Music the same way again. Among other things, the Lectures provide the framework for a Grand Unified Theory that succeeds admirably, in tying together Language and Linguistics with Music.

These lectures are must viewing for anyone that loves music.

Little Feat at the One World Theater

Little Feat played two shows at the One World Theater last night. I caught the late one with a friend of mine, and was expecting a good show, since I was in the front row.

I last saw Feat about around 2001 or so, at Stubbs. They played a fairly long show at that time. This time, I estimate that they played for approximately 90 minutes. I was surprised (and somewhat disappointed) that vocalist Shaun Murphy was no longer with the band, and that Richie Haywood was not on tour (for health reasons). The band presently performs as 6 piece:

• Fred Tackett - Guitar and Vocals
• Paul Berrer - Guitar and Lead Vocals
• Bill Payne - Keys
• Sam Clayton - Percussion
• Kenny Gradney - Bass
• Gabe Ford - Drums

I can't remember the entire set list, other than Times Loves a Hero, Oh, Atlanta, and Dixie Chicken. The show was good, but not stellar. There were some sound issues (something that I didn't expect at a One World Show).

Ravens vs. Patriots - Week 4

It sucks to lose a game like this. Mark Clayton, you have got to catch that ball. Several Ravens and Coach Harbaugh will most likely be fined, for comments about the officiating. Harbaugh was clearly audible dropping the S* bomb on TV.

To be honest, the referees deserve every bit of criticism they got.

ACL 2009 - Day 3

... and it's still threatening to rain

Faced with another day of down-pours, and my allergies kicking up, I decided to punt! Would have liked to have seen Pearl Jam, but it's not in the cards.

Given the choice between rain and heat, give me the heat!

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Update

Looks like I missed an opportunity to slosh around in Dillo Dirt. Yum, yum!

ACL 2009 - Day 2

... and it rained
Today was very reminiscent of SxSW 98(?), where it rained non-stop for most of the music festival. While welcome by the drought sufferers for sure, it really put the whammy on the festival. I had rain gear, but declared defeat at around 5:30PM, and headed home. Here's a summary of what I was able to see during this shortened day:

The Henry Clay People

They were listed as Pop/Punk, but they sounded more like a late 60's group to me. Towards the end of their set, the played of cover of Bang a Gong, by T Rex

The Virgins

A NY dance rock band, kind of like the Velvet Underground meets the New York Dolls. They were entertaining, and seemed to appeal to the under 25 crowd.

Ravonettes

Had to cancel their show. They were replaced by a totally forgettable band from Austin, that took their place. My friend Dan and I both agreed to move on after hearing one song.

Soul Stirrers

An absolutely kick ass gospel/soul band. Quite the rhythm section!

Bell X1

This was a great Irish pop band sitting somewhere between U2 and Van Morrison. The piano player was quite exceptional. I'd go see these guys again, for certain.

Sam Roberts Band

A fantastic band from Montreal. They sounded somewhat like 3 Doors Down. Excellent vocals and musicianship. Made passing the time in the pouring rain, tolerable.

The Airborne Toxic Event

Another very competent pop band.

The weather

At this point in time, I was cold and starting to get soaked, even though I had a Poncho on. I decided to make it the end of the day.

ACL 2009 - Day 1

Got up fairly late today, and decided to trek on over to Kerbey Lane for some Gingerbread Pancakes, before heading downtown. As a result, I was only able to hear the last chorus of Asleep at the Wheel's last song, as I entered the gate.

After checking out the new lawn in Zilker, and filling up my Camel Pack with water, I headed over to the Dell Stage for Blitzen Trapper. As I arrived in the area, the lead singer was doing his best Robert Plant impersonation, but the rest of the show slowly wound down into some fairly uninteresting music.

Medeshi, Martin & Wood

The Livestrong stage was the next stop of the day. Medeshi, Martin & Wood is a trio, consisting of keys (mainly B3), bass, and drums. They were listed as a Jam Band, and I feel that was a fairly accurate description. Unfortunately, I can't say I'm a big Jam Band fan. I would have preferred hearing a trio like this in a pure Prog context.

Coheed and Cambria

This a Metal Prog band from the Mid-Hudson Valley area of NY, my old stomping grounds. They are a fairly competent Prog/Metal band, and fortunately do not do the Cookie Monster vocals.

They drew a very respectable crowd, and played a cover The Church's song, Under the Milkyway towards the end of the set. Given the age of the crowd, I'm not sure how many present recognized it, even after the band acknowledged the band.

Robyn Hitchcock and the Venus 3

A good set of British Power Pop band, with Bill Rieflin on drums. A very nice change of pace for the afternoon.

The Greencards

The Greencards are a Bluegrass band from Australia, from what I could gather, they were all very accomplished musicians. There was a big problem however with sound bleed over, from the other stage. It was impossible to hear some of their songs, because the song from the Livestrong stage was drowning it out.

Them Crooked Vultures

Ok, they're supposed to be a super-group. I found this band to be pretty uninteresting, and it seemed like they mailed it in to me. Of course, I was only 1000 rows back from the stage. Actually standing on top of the hill in front of the AMD stage, in order to watch the video.

I'm a big Led Zep fan, but not a fan of Nirvana, the Foo Fighters, or Queens of the Stone Age. I find the latter 3 bands tiring, at best. Sorry, but I don't get this band, nor do I get the hype. These guys are no Chickenfoot. (LOL)

Yeah, yeah, yeah

The last band of the day. All I could say was No, no, no. Dan and I amscrayed during the middle of the set.

Observations

For some reason, several of the stages (XBox, Livestrong, BMI) seemed noticeably smaller. However, the PAs certainly weren't. In fact, there were multiple problems with bleed over. It was impossible to hear anything from the BMI stage, if Livestrong had something. Sound was also leaking from the Austin Ventures, to the AMD. This was truly annoying!