SxSWm - Thursday

Thursday was a busy day early, I'm feeling a little fatigue since this is already day 6, only 2 more to go.

Panels

There's Still Lots of Money in Songwriting and Music Publishing - Jeff and Todd Brabec

This is the fourth time I've seen the Brabec twins speak, third time at SxSW, and once as an Austin Music Foundation Small Group Session. I have always been impressed with depth of the material they present, and how approachable both gentlemen are. I was able to speak for a few minutes with Jeff afterwards, and it appears that another AMF session is in the works. I always learn something new at their talks.

Placing Your Music in Film

This was a repeat of a similar session from last year's SxSW. The panel was mainly Music Supervisors, but also included someone from Subpop records, who manages licensing of their catalog. It was very interesting to hear about this process from the Label's or Publisher's perspective.

Quincy Jones Keynote

This was a marathon and went over at least 40 minutes. I found this write up via Twitter. It does a great job recapping the talk.

Devo Interview

This was one of the highlights of the show for me, all 5 members of the band were present for an in-depth interview. They talked about all of the highlights of their career starting with the Akron, OH days, Kent State, and moving to LA.

Some interesting comments were made about their rivalry with the Talking Heads, along with some choice comments about David Byrne. They also told a story about their label trying to convince them to have John Lydon (aka. Johnny Rotten) join the band, giving some fascinating insight into the Music Biz at that time. Also interesting was their discussion of their cover of Working In A Coal Mine, how it was dropped from their album by their label, yet still went top 40 via the Heavy Metal soundtrack.

Shows

Abalone Dots on the Sesac Day Stage

While grabbing a bite to eat, I caught this incredible act, 4 women from Sweden playing upright bass, guitar/mandolin, violin, cello. They also did incredible 4 part vocal harmonies. Outstanding, I will probably look for their CD and buy it.

Von Bondie on the DirecTV soundstage

I caught the last 3 songs of this act from Detroit. Well done, but fairly mainstream stuff.

Peter Murphy at the Elysium

I accompanied friends Ron and Alissa to see the original Goth rocker, Peter Murphy. Pretty much as expected, Peter seems to be good humored and self-deprecating enough to not come off like an asshole. The band was very good, they were obviously all old pros.

18th Floor

I make it point to go to this venue every year because of the consistent quality of the acts I've seen here.

Andy White

I caught the last song of the set of this very talented Irish act. My only complaint is that I wished I had not dallied along the way, so that I could have heard more

The Kin

Another highlight of the festival. They are a pair of brothers (?) from Australia, who had a mercenary rhythm section composed of a bass player and drummer from the Austin bands, Wideawake and Vast.

To me, these guys sound reminiscent of Tonic and you could tell that they had the little something extra. They had the crowd in the palms of their hands before coming out and doing one number standing on two chairs, in the middle of the crowd. I think these guys will be stars some day. Kudos to them for handing out download cards of their music.

Stars Go Dim

I caught the first 4 songs of this talented band from Tulsa, OK. I felt sorry for these guys because they had to follow the Kin.

Somi at Elephant Room

After an extra long setup, Somi managed to do one song. Things quickly derailed by PA/sound problems. After waiting 20 minutes, I left.

Leni Stern at the Copa

This was the last act I saw of the night. Leni is a NY based guitarist, who is married to Mike Stern, another famed guitarist. She was part of a 4 piece band, with her self, an Upright Bassist, Drums, and Bazuki player (who also had Tablas and other percussive nick-knacks)

The music was sort of new age mishmash of Persian/Middle Eastern sounds with a light Jazz twist. In general though, I find her playing a bit understated.

Needing sleep, I headed home a little early.

SxSWm - Wednesday

I managed a fairly early start to the first day of the music segment of SxSW. Of course, the most interesting panels are always the first couple of days.

Panels

Annoying Things that Bands Do

This was an entertaining panel of Club Owners and Bookers giving their collective horror stories. Nothing surprising here really, and I noticed that the group was predominantly people from the Chicago area. I wish there had been a few Texans on this panel, although I guess there were some universal aspects to what was being said on this panel.

Artist as Entrepreneur

A fantastic panel involving one artist, Rachael Sage (who I had seen at SxSW several years ago), along with Panos Panay (CEO Sonic Bids), Jeff Price (CEO Tunecore), and Derek Sivers (of CD Baby Fame). Jeff and Derek are fountains of information, and seem to really care about their fellow artists. Like Martin's panel later, repeated attendance may be required to catch the gems presented.

Loudness Wars with Bob Ludwig

A very interesting session with legendary Mastering Engineer, Bob Ludwig. This talk worked on several levels, and was very engaging because he spent considerable time A-B'ing mixes off of his laptop. The whole talk got of to a good start when he chose Frank Zappa's, Dumb All Over, the first listening.

This session was also fun because I ran into old friend, Scott Hull. I recorded a 4 song demo project over in Scott's parent's garage in Poughkeepsie, NY in 1985. He's now one of the giants in the NYC Mastering scene. Scott informed me that he had bought Masterdisk this past year.

Martin Atkins

This was essentially a repeat of Martin's talk from last year. Regardless, repetition is needed to fully absorb the jewels that Martin leaves on the table. He is truly a champion for the DIY crowd.

Shows

Copa

I started out the night at the Copa on Congress. I had never been in this club prior to tonight. It apparently is a Latin, Salsa Dansing club having a fairly large dance floor and a stage big enough to hold an 8 or 9 piece band.

El Tule

A very good local Latin dance band. The dance floor was packed, I'm sure Little Steven would have approved, given what he said during his talk.

Invincible Czars

The Czars were the main reason I went to this venue. Helping to support my good friend, Josh Robbins, from AMF. Their set was good, but the sound suffered because their Keyboard player is out of commission for a while.

Contra Coup

A local Dub band. I listened to the first 3 songs, but was not really that engaged with their material, so I ventured onwards.

Monster Big Band at the Elephant Room

I walked up the street to Austin's main Jazz Club, the Elephant Room. There was a local big band with about 14 members. I was impressed that they managed to fit into such a small space. I enjoyed to a degree, however, my preference has always been for my improvisational, small Jazz combos over Big Bands. There is however, a certain sonic strength to Big Bands that you have to like.

Del Castillo at Antones

I stopped in here to hopefully hear some of the new material from Del Castillo's new album to be released, next month. I believe that I heard two new cuts. As always, they killed. I noticed several people with out of town badges, who appeared to be impressed.

La Zona Rosa

I trekked down to LZR just to see what was going on. Was very disappointed to see button pusher/DJ called Deadmau5. Given the size of some of the temporary venues in town during SxSW, why would you sacrifice a good large stage?

The Tap Room

This was the first time I had ever been in this venue either. There was band named Wild Moccasins from Houston. I listened to one song and wondered how the hell they got accepted for a showcase.

SxSWi & SxSWf - Tuesday

Yesterday was the SxSWi close out. I attended three panels (that I can recall), one was about current attacks on Fair Use and was very well done, the second was about NUI interfaces which was also somewhat intriguing, and last but not least, I attended one of the Platinum Track sessions out of curiosity. I don't see what was supposed to be so special about the Platinum Track session, it hardly seemed worth segregating this talk from the others.

The most interesting thing of the day was the film panel with Richard Linklater and Todd Haynes. The conversation turned to the previous night's screening of Superstar. It was a great session because both directors answered a wide array of questions, from a very engaged audience. Great panel.

I finished the night with two films, You Won't Miss Me and the Austrailian film, Horsemen. I must say that the former was too artsy for my tastes. Some interesting usage of multiple cameras and media formats, but the story itself didn't appeal to me. Horsemen was a bit more engaging, sort of a Walking Talk meets Dead Alive vibe. Basically the story of a father who goes on a rampage after his daughter dies as a result of being involved with the porn industry.

The long days start tomorrow.

SxSWi & SxSWf - Monday

I got up a little later than usual today, and was unable to park in my usual spot, the Parking Garage. The weather has finally broken, and it was absolutely beautiful, warm and sunny.

In the morning I bounced between two talks about managing employees in startups, and protecting domain names. The first was somewhat interesting, but for the second talk, all I can say is god save us all from lawyers, please. This panel members (all lawyers) and some of the other Esquires in the audience came to the great conclusion that there is a problem with ICANN because they turn a profit, and that all of interests would be best served by having the government regulate this function.

After a nice leisurely lunch on the roof of the Iron Cactus, I spent the afternoon at two talks:

• A film panel focused on the topic of 3D, with Robert Rodriguez and Henry Selick, the stop action animator of Nightmare before Christmas fame. This session was fantastic and went by way too fast. They both presented short clips of their work in this domain, and answered a large volume of questions. It was great to be able to see into the minds of these two fantastic artists and see what makes them tick. Having the audience so engaged, made the session enjoyable on several levels.
  
• Bruce Sterling's keynote speech finished the day. I think he portrayed the general state of things, with some good commentary on today's Internet, Social Media, etc. I would say that although he tried to assume the mantel of an objective journalist or observer, his political agenda did leak out on several occasions. I'll just say that this, Bruce is lot more enamored and impressed by Politicians and Policy Wonks, than I am.

For the evening, I went to two film screenings:

• Luckey - at the Convention Center theater. First let me say, this facility was surprisingly good. It is by far, the largest screen of the festival and great sound. The film itself was fantastic and very moving. If only most reality TV could aspire to this level.

  The film is a documentary about the life of sculptor, Tom Luckey, who became a quadriplegic from a fall. The deadly irony of this, is the fall was the result of one of his own architectural decisions.

  The film covers his present day business, building elaborate climbing tree sculptures that you would find in a Children's Museum. The documentary details the interactions with various family members as they prepare one of these climbing trees, for the Boston Children's Museum.

• The second film I saw last night, was listed as TBA on the Alamo Ritz list. This intrigued me enough to want to go see it. While in line, I recognized that the person next to me in line was originally from Baltimore (my home town), and we had a fun conversation while waiting.

  Entry to the screening was delayed. All we were told is that the film was 30 years old, historically significant and that projector setup was taking longer than expected. We finally entered the theater, I was surprised to see Richard Linklater introduced as the MC. He then explained that we were about to see Todd Haynes' banned film Superstar, the Karen Carpenter story, and that Todd might be available after the screening for Q&A. Richard also spoke about seeing this film back then, and the impact it had upon him.

  The entire film is done with barbie dolls, interspersed with segues of real people at various points. I found it extremely creative, and found it interesting to hear about why the film had been banned. I was really happy I made this decision to just wing it.

Looking forward to another great day of weather and the close out of SxSWi.

SxSWi and SxSWf - Sunday

Sunday was a great day, but one contributor to that was the turn in the weather. It finally resembled an Austin spring. It was almost a crime to spend part of the day inside.

Of note for SxSWi, I attended talks on Version Control, and the status of CSS3. Having used svn every day for the past 4 or 5 years coupled, with bzr, then git for the past 18 months, I felt like I could have given as good of a talk on the subject, as any of the panel members. Of course, there were several corporate types still pushing their proprietary wares. My only question, why? You put any of these up against git, and I believe that git will win every time (now that the documentation problem is being addressed).

The CSS3 talk was more interesting with the lead Mozilla developer, a member of the IE8 team, and the CTO of Opera there for the discussion (no Safari representation, however, boo Apple). As much as it pains be to say, kudos to Microsoft for finishing a fully CSS 2.1 compliant version of IE8.

The highlight of the day however, was hearing lifelong Kubrick friend and producer, Jan Harlan, talk about Stanley. It was a real treat to hear Jan in person, since I loved the documentary he prepared that is included the Kubrick Box Set, from Warner Brothers. The room was filled with people (like me), who were all passionate fans of SK's work. The highlights for me was hearing about two projects that Stanley was never able to complete, Napolean, and the Aryan Papers, a Holocaust movie that was scrapped because of concurrency with Shindler's List. Jan did say however, that a new book will be published with Stanley's notes, storyboards, etc. from his extensive pre-production process for these two movies, and AI. He also mentioned that a 2nd (and cheaper) edition of the Taschen Kubrick book was going to press.

I finished the night with 2 films, Humpday, and a Sneek Peak presentation of Sasha Baron Cohen's new movie, Bruno. Humpday was shown at the Alamo Ritz, and although I miss their original downtown location, I must say I am growing to like this location. I also really enjoy the whole process with having a Q&A with the director, after the screening. Talking to some film people in line from LA, I also discovered that the Alamo concept is still unique to Austin. It's a shame, I think it would take off anywhere.

For Bruno, all I can say is that Sasha seems more and more like Andy Kaufman every day. If you thought Borat was over the top, then all I can say is that he has pushed the envelope even further. I laughed pretty hard at the footage they showed. The only thing I didn't like was the heavy handed security. There were actually hired security for this screening, to ensure that no screeners appeared on the Internet. Cell phone confiscations were threatened.

SxSWi, SxSWf and Barcamp Austin IV - Saturday

Although I'm taking in the whole SxSW experience this year (Interactive, Film and Music), I punted day one because of work commitments, and crappy weather Friday. I opted for a more manageable 9 straight days, rather than 10 (LOL). Today, I popped my Interactive and Film cherry.

Having never been to the Interactive portion of SxSW before, I was working with a clean slate of expectations. It did seem however, as though the Barcamp or unconference model has started to diffuse over into the conference world. Given the subject matter and people at SxSWi this was not too surprising.

I attended a number of sessions about startups and bootstrapping, and several specifically focused on Ruby on Rails. These were not new subject areas for me, I was more interested in seeing their mainstream adoption. Mid afternoon, I also managed to sneak out, and walk down the street a block to the Barcamp Austin IV location, at the old Paradox nightclub. I must say, although the location was great (relative to SxSW), the actual venue did not work for me. In fact, this is the first Barcamp I would call a Fail.

For the remainder of the day I hit several of the outside parties, saw Doc Searls interviewed, and straiffed the Dorkbot event, which included a guy that had built a large modular analog synthesizer (from modified PAIA kits and synthesizers.com). I ended the night with a pair of films, including Daryl Wein's and Zoe Lister-Jones', Breaking Upward. An absolutely fantastic movie in the narrative feature realm.

Now, off to prepare breakfast, and head downtown for my day 2.

California Guitar Trio at the One World Theater

CGT is one of those groups that I will never grow tired of, particularly at a venue like the One World. Last night, I attended the late show. It marked the first time that I had sat in the balcony, where the acoustics turned out being absolutely awesome. Of course, I was right next to the sound-man.

Some elements of this show were exactly like the last show I had seen in August, 2007. Once again, they sold CDs of the soundboard mix, and were available for a meet and greet after the show.

This show featured a new set list, and they did not perform Bohemian Rhapsody or Freebird. Paul did indicate after the show, that they were ready to play Rhapsody if requested. The most interesting part of the night ended up being the special guests, 3 music students from the University of Texas Percussion Lab.

Apparently, CGT posted the arrangement scores for some of their music on their website. Three music majors from UT, learned the pieces as a Vibraphone Trio, and posted videos of a recital on You Tube. Paul said that the band was amazed when the students contacted them.

CGT decided to rehearse with the group upon arriving here in Austin, and have the 3 percussionists join them on stage. The double trios played the Marsh, and Melrose Avenue during the encore. Both numbers were very well done, and moving. Touche guys!

The highlights for me, were the Shadow Walk during Apache and the meet and greet after the show. During the show they talked a bit about their history. It seems that my path had crossed theirs 20 years, leading to this story:

Sometime last year, I stumbled across a video of Robert Fripp's League of Crafty Guitarists on You Tube. It was from the 1989 - 1990 timeframe. Watching it I noticed that all 3 members of CGT and Trey Gunn were in the League at that time.

I had the good fortune to see LoCG at the Chance, in Poughkeepsie, NY around 1989 or so. The particular show featured one unusual incident. A King Crimson fan (better described as a stalker) was circulating in front of the stage singing songs from Starless and Bible Black while the LoCG was playing. Robert Fripp reached his breaking point, stopped the show and had him removed.

I asked Bert Lam if he was in the LoCG during that timeframe, and he said possibly. Once I described this incident Paul and Bert both started laughing and confirmed that they were all there that night. It was very fun sharing this 20 year old memory with the band. Although the incident was annoying, it made the show memorable for both the audience and the performers.

RIP: Billy Powell

Billy Powell passed away yesterday. Even though I grew up in the 70's, I wasn't a huge Lynyrd Skynyrd fan. I spent most of my teen years first being into Prog, then getting into Punk. There is no denying however, that Skynyrd's tragic history and music, are both archetypal. They created and defined a whole genre of music.

As I grew older, I started listening to and playing a lot more Rockabilly, Blues and Roots Music. From this, I gained a new found respect for Billy Powell. There is something mythical about Billy's story too, both in how he stepped up from roadie to musician, and his being the only survivor of the Plane Crash. If the story wasn't true, it would be hard to believe. You'd almost expect Josef Campbell to be telling you his tale.

It was sad to hear of his passing. I know that I will be reminded of him when I go see the California Guitar Trio next month, if they play the Freebird encore.

Bill Bruford Retires

I'm bummed. One of my favorite drummers ever, Bill Bruford, has announced that he's hanging up the cleats, and will no longer be performing live. Of course, one immediately wonders what is behind this decision. Hopefully, his health is well.

I will look back with fondness at the shows I've seen with Billy B. They include Yes/Union, King Crimson, Earthworks, with David Torn, and with Patrick Moraz. If I have one regret, it's being too young to have seen him in Yes the first time around, with the 1974 KC lineup, with his Solo Project (Holdsworth, Berlin and Stewart) and with UK.

Bruford is one of a small group of artists that I can honestly say that I listen to at least once a day.

RIP: Patrick McGoohan

If I didn't listen to Gardner Goldsmith's podcast, I would have never heard the news that Patrick McGoohan (aka. Number 6) has passed away. Major bummer.

Kind of disappointing, since there was some talk of a remake of The Prisoner, a few years back. Now more than ever, I think McGoohan's message needs to be heard.

This show taught me to question all uses of the word we.

Ravens wrap up

I have mixed feelings about this season. On one hand, I feel they exceeded all expectations. With 16 players, including 3 defensive starters, on IR, a Rookie QB and Head Coach, the thought of playing the AFC Championship game seemed almost absurd. Losing the game however, was bitter sweat. Windows into the big game are hard to come by, and nothing is guaranteed next year.

Fate unforunately, conspired against the team. Hurricane Ike forced the team to take their bye in week 2, rather than originally scheduled, week 10. As a result, Sunday's game was the 18th straight week that they had played. I knew in my heart that they didn't have anything left in the tank (running on fumes, as they say).

Well, it's 8 months until Camp and Flacco is clearly a Franchise QB! I guess I'm rooting for the Cardinals in two weeks ;)

RIP: Freddy Hubbard

It seems strange that we have lost another Jazz great during the Holiday season, for the second year in a row.

I'm cuing up Africa Brass, and Maiden Voyage right after I finish posting.

RIP: Mitch Mitchell

Jimi Hendrix Experience drummer Mitch Mitchell died in his sleep last night. If ever there were a drummer defining the late 60's, it's him.

Recently, I was just contemplating ripping some of my vinyl collection, so that I'd have things like a recording of Keith Emerson and Mitch playing Miles Davis' Freedom Jazz Dance. Won't be able to do that today, in the meantime, I'll have to move a Jimi Hendrix play-list into the rotation on my iPhone.

It's week 10 and my Ravens are 6-3

Wow, I've been silent up to this point not wanting to jinx anything. My Ravens seem to have an offense. You have to love what John Harbaugh is doing with this team, and I can't say enough good things about Cam Cameron. Joe Flacco seems to be the first real QB on the roster, since Vinny Testaverde. I'm enjoying watching balanced football games, with nice long clock killing drives.

The only bad thing this week, having to root for the Slurs and Clots because they're playing the Appalachians. It makes me feel dirty, but the playoffs are not an outlandish possibility now.

Allan Holdsworth at the Continental Club, Austin

Thanks to a heads-up from my friends, Ron and Alissa, I found out about this show Thursday night featuring Allan Holdsworth, Chad Wackerman and Jimmy Johnson. I was very excited to see this show, because I haven't seen Allan live in almost 20 years.

I arrived at 7:30PM to a 3 quarters filled Continental Club, and many musicians in the audience. The band started promptly at 8PM, with Allan humorously complaining about not having time to go back to the hotel and shower, and admitting to some nervousness, after getting a rousing ovation as the band took the stage.

I estimate that the band played 90 minutes. Here is a partial setlist, I wish I could remember the remainder of the set.

• The Fifth
• Fred
• Water on the Brain
• ...
• Red Alert (to close the show).

During the show Allan mentioned that he wished he could be out in the audience, enjoying the music and an ale. Afterwards, the entire band was available to meet and greet the audience at the merchandise table. I let Allan know how much I enjoyed hearing him play the material from Believe It, Jimmy Johnson immediately piped up and informed me that he enjoys hearing it too!

My only regret is that fellow Lifetime band-mate, Alan Pasqua was not on this tour, because last year's DVD from Yoshi's doing much of this same material is even more outstanding (hard as that may be to believe).

Henry Rollins Spoken Word Redux

It was hard to imagine that over a year had passed since I had last seen Rollins, time seems to fly by these days. Once again, Henry was performing a spoken word show at La Zona Rosa. (BTW, going to La Zona Rosa made me realize how little this venue is used now. I wish I knew why this was the case). The show was better attended this year, which was surprising given it was on a Sunday night.

Henry started the show announcing that it was a celebration of the end of the Bush Administration. I understand the sentiment, however since abandoning my Libertarian party membership and adopting the Voluntaryist moniker, I can honestly say that I don't share his optimism about the coming change. In fact I dread it, since I have no faith in the political process or any politician. I was impressed that he didn't dwell too long on partisan politics, and went fairly quickly, into personal anecdotes.

The rest of the show covered familiar ground. How boring he finds his own life now that he is in his 40's, his workaholic tendencies, traveling to verboten places (this year it was Islamabad, Pakistan), and getting tickets to the Van Halen reunion from David Lee Roth. He was also introspective about his childhood and his relationships with his mother (good) and his father (bad).

I enjoyed myself for the duration, which was probably just shy of 2 hours, and will probably go see him again next year, when he returns to Austin agin.

ACL 2008 Day 3

ACL for the third and final time this year. Man, I'm tired and my feet hurt.

Abigal Washburn and the Sparrow Quartet featuring Bela Fleck

I knew what to expect having already seen this act at SxSW. Hard to believe, but the exceptional got even better.

Getting to the stage about 45 minutes early really worked out well. I was 3 rows back, with an excellent view.

The Octopus Project

Honestly, I'm not a fan of blip and bloop music, but this band can be entertaining. They started the set joined by the Austin High School marching band.

I found their music tiring to listen to after the 3 or 4 songs. I think they work better in a smaller venue. They did provide the first Theremin sighting of the day.

Mike Farris featuring the Roseland River Revue

This band was a hidden gem at the WaMu pavilion. Straight forward, well executed Soul and R&B by a band from Nashville, backed up with an Austin horn section (made up of the Elephant Room crew).

Joe Bonamassa

Wow, can Joe play guitar. I will most likely have to catch him on tour one of these days. Joe was the official guitar hero of ACL, and everyone had gotten the memo (it was impossible to get near this stage).

Interestingly enough, the Theremin made another appearance during this show.

Okkervil River

I don't normally listen to this type of Indie rock, but I had to catch this show because I know one of the band members.

Early Exit

I decided to call it night early, maily because of exhaustion, a Ravens' MNF game tomorrow, and my not being a Foo Fighters fan. Reading other write-ups, it sounds like I should have tried to catch Band of Horses.

ACL 2008 Day 2

My friend Dan and I arrived relatively early again. Weather was nice (a bit on the warm side), but it was crowded. Still plenty of dust and ragweed to go around too!

The Black & White Years

I had met two of the people in this band at an AMF Mixer about 2 years ago. They are basically an early 80's new-wave band. Shades of Oingo Boingo, and the Cars.

Fleet Foxes

This was really laid back acoustic act with incredible 4 part harmonies. They seemed like festival first timers, since they took quite a bit of time between songs. I was impressed with the fact the lead singer was out talking to the crowd afterward.

The Fratellis

I witnessed this band from the AMD stage, since my friend and I decided to go for good positioning for Sharon Jones. What I heard was great, reminiscent of Cheap Trick, with a slightly more British edge. Wish the schedule hadn't conspired against me.

Sharon Jones and the Dap-Kings

I had a heads-up about this band from Andrew Dubber on one of his blogs about a year ago. They also played at Antones, but I missed the show. The band lived up to the hype,

This is an unbelievably good Motown style band. No words can do this band justice, they are great. Sharon owned the crowd.

Black Joe Lewis & the Honeybears

I had to go see these guys, if only to see this bearded fellow playing keys.

Les Freres Guisse

An incredible West African group from Senegal. I wish I had been able to catch the whole show, rather than the last 3 songs.

The Nachito Herrera All Stars

Nachito's bio says he is Piano virtuoso, after seeing him play I agree. There was one big problem, he needs to learn how to play with his band, rather than over top or plowing through them.

John Fogerty

Solid set of CCR and Fogerty solo material. I was pleasantly surprised to see drummer extraordinaire, Kenny Aronoff. The whole crowd (filled with gray ponytails) was singing along, always a good sign.

Robert Plant & Alison Krauss

Homerun number two of the night. Well worth the extra 45 minute wait in order to get a good position near the front of the stage.

This show was like an encyclopedia of different types of American "roots" music. In addition to the two stars, we had T-bone Burnett on guitar. The set included an amazing rendition of Black Dog and the Battle of Evermore. Hearing it alfresco on a clear Austin night, priceless.

ACL 2008 Day 1

Long day, great weather, some dust, and pollen or ragweed ;( My friend Dan, and I arrived early, parked near Antones and touch the shuttle.

Asleep at the Wheel

How else would you kick off an ACL Festival? This year, Ray had a younger girl (who couldn't have been more than 15 years old) on stage as the 2nd fiddle player. She's a great player now, I can only imagine where she'll be in 10 years.

Other highlights of the show included a great rendition of Hot Rod Lincoln.

What Made Milwaukee Famous

An Austin band that I had never seen before. Good, but not my cup of tea.

Jakob Dylan and the Gold Mountain Rebels

Jakob appeared on the same stage that his father had last year. I have seen him several times with the Wallflowers, and can honestly say, I liked that band better.

The first two songs of this set were played very tentatively. If I had to hazard a guess, it seemed like there was a problem with the on-stage monitors. This was quickly remedied, and they finished with the type of Singer/Songwriter set that you would expect.

The Freddy Jones Band

I caught these guys in the WaMu (wonder who the new sponsor will be next year?) pavilion. These guys were a really tight and experienced band, playing "Adult oriented" Pop/Rock. Enjoyable, but the genre is not something that would compel me to buy an album.

Patty Griffin

Patty was one of the recommended act, and was fantastic. She lives in Austin, but apparently tours quite a bit. Fantastic band, including a old friend, Mike Longoria, on drums. I'm not usually one to listen to much Americana, but I have made a mental note to catch her, the next time she plays here in Austin.

David Byrne

Holy crap, David hit it out of the park with this show. Easily the best show of the day, and could quite possibly be the best show of the Festival when it's all over.

At the beginning of the set their were 8 people on stage, David on lead guitar, keys, bass, drums, percussion and 3 backup singers, all dressed in white. They were joined on stage by 3 dancers (also in white), around the third song. The entire set was a well choreographed show, integrating music and dance throughout. As an observer, I could not help but think of Stop Making Sense.

I can't say enough good things about the Rhythm Section in this band. They were fucking awesome; the best I'd seen in a long while. Everyone in the crowd was visibly dancing or boppin' along to the backbeat. The show also consisted of a well rounded selection of Byrne's solo material and a healthy serving of reworked Talking Heads songs.

Two thumbs up for this one! I also just realized, that all of the Talking Heads albums in my collection are on vinyl. Time to refresh the collection with digital.

Evening Wrap Up

Antibalas

I caught about half of the set, from this NYC based funk band. Probably would have listened to more of their set, but they were on the way across Zilker.

Alejandro Escavedo

Supposedly Alejandro's first ACL. I listened to two numbers before proceeding back towards the AMD stage. I've seen him enough at SxSW to not feel like I was missing anything.

The Swell Season

I probably should have listened to the previews of this band. I caught two numbers from this act, and wished I had seen the whole set.

Mars Volta

I've tried to get into this band on the recommendation of other Prog fans, particularly King Crimson fans. I don't hear any similarity, and have never found them that interesting. Hearing them live, changed nothing. I'm just not in to them.

Manu Chao

Sounded fine and had a good band. Another case where I can't understand what all the fuss is about though. Seems to play a hodgepodge of World Music, but always seems to end up on the Reggae/Ska end of the genre spectrum

I have the Wristband

I picked up my ACL Wristband tonight, and took the opportunity to take a picture of the gate, with my phone.

Looking forward to a great weekend of music.

RIP: Richard Wright

Pink Floyd founder and Keyboardist, Richard Wright, passed away today in London, at age 65. I'll be listening to some Floyd tonight it seems.

Austin Jazz Fest Night 3

This was night two for me. I arrived there at 9PM and saw the following acts:

• Soul Kitchen - a Hip-hop fusion act. All competent musicians, I just wasn't into their music.
• The Landfall Quartet - the first real Jazz act, although they were apparently missing the 4th member (a guitarist). Great Wayne Shorter type of feel to the set. Everyone in this ensemble played well.
• Azul - a Salsa fusion band led an old friend from the Mid-Hudson Valley, Peter Mazzetti. Pete's bands have always been tight and played interesting stuff. It's too bad Azul is not able to play more often here in Austin.
• Burly - another quartet (?) with a member missing, playing as a trio. They played a blues influenced rock set reminiscent of Jeff Beck.

All in all, I had a good time, but I am wondering about the "state" of Jazz in Austin. I would have preferred a little more traditional trio or quartet music with Acoustic Instruments. I also have to wonder why this was held at the Dirty Dawg, as opposed to the Elephant Room.

Austin Jazz Fest Night 2

First, let me say I was lazy and didn't make it downtown Friday night. I saw the following acts perform last night:

• Bruce James Soultet - mainly a funk band. Bruce sounds at times like Dr. John, and at others like Chris Rea, great keys player.
• Brady Muckleroy - a bassist from Buda, who intermixes solo electric bass playing, with an ensemble. I had seen him perform before in San Marcos as a solo act.
• A band I believe was named Micky Ficky, but was listed as the Fair. Regardless of their name, I found the rhythm section to be a bit under rehearsed to be honest, and ended up leaving after their fourth song.

I enjoyed the first 2 bands and felt both were very tight. However, my biggest gripe about the Jazz Fest so far, not much of what I call "Jazz" was going on at all.

I did however meet Austrian Guitarist and now Austin inhabitant, Ulrich Ellison. He had played earlier and was engaging to talk to. I bought his CD based upon our conversation of our favorite musicians, and enjoyed it greatly on the drive home. It was fusion in the Jeff Beck and John McLaughlin vein.

First Ravens Post of 2008

Honestly, I'm nervous about the Ravens this season. I'm particularly nervous about our secondary and D line because of injuries;( So far, they haven't looked very good in either of the preseason games that I have watched. That said, this year is probably a gimme' for Harbaugh.

I be there a week from Sunday rooting for them against the Bungles. Hopefully, it will end better than last year's opener at Cincy. At least this one is at home.

King Crimson at the Keswick Theater

I just landed in Austin about 3 hours ago and am still digesting the show I saw last night. After well over a decade, I was finally able to see King Crimson again, at the Keswick Theater. The 6th in a 9 show tour celebrating 40 years of music. By Fripp's accounting, this is eighth lineup. We'll ignore the transitional lineups and the virtual seventh lineup.

I first became aware of the band when I was 14 years old. After discovering ELP, it was only short time later that I discovered Greg Lake's first band. Of course, a similar path following Bill Bruford's career after Yes, landed in the same place, on Robert Fripp's door stoop. As a result, I can say that I have been a fan of King Crimson for 33 years now.

My trek began Sunday, and I am thankful that despite weather problems, I was still able to arrive in Glenside (a minor inconvenience getting to the hotel at 3AM rather than 7PM). I was grateful that I had decided to fly in the day before the show, correctly foreseeing scenarios that would end up with me missing the show.

Besides finding write-ups at the obvious place, the set list can be found over at Zogworld and Tony Levin has already posted pictures from the show

The highlights of the show for me were hearing two songs from Larks Tongue in Aspic, and significant amount of material from the Discipline and Double Trio eras. Strangely, a review of Tuesday show mentioned that they did not play Sleepless, which I felt they did exceptionally well.

The lowlights for me were some problems with the sound (obvious clipping in the PA when Tony Levin's stick or the Kick Drums hit a strong note) and an interpretive dance troupe of 3, situated about 6 rows in front of me. Later joined by another spastic performance in the middle section.

Quite surprisingly, Robert Fripp seemed quite jovial despite hiding behind his rack. It was quite unusual to see him standing at stage right with a beaming smile, applauding the other members, at the end of the show and the two encores.

All I can say is that I hope they continue touring. I regret not going to the Tuesday show and hearing about the Nashville warm-up gigs, too late.

In one week

I will be sitting in the Keswick Theater watching the 40th anniversary celebration of the Beast, King Crimson.

I'm psyched! Early reviews of the 2 shows at the Belcourt in Nashville are already in. The sound clips of the rehearsal sessions are just whetting my voracious appetite for seeing the masters at work.

Startup Camp

I attended another Barcamp event, Startup Camp. This one was held at the Texas Union Building at UT. Well attended and very interesting.

Steve Hazel of bit-torrent fame, gave a very interesting talk on codepad and his application engine. Also much discussion of Co-ops, as a business structure. Much to ponder.

RIP: George Carlin

I saw this rolling by on Twitter this morning. Bummer!

Perceiving a Pattern

On two separate occasions this week, I observed buzz surfacing about things that I had experienced for the first time about a quarter ago. I am beginning to wonder whether there is something significant to this 3 month time period.

Bar Camp Austin III

I participated in this on a lark, while SxSWi was going on in force and really enjoyed the experience.

Birds of Feather (BOF) sessions have always been popular at Technical Conferences, and I've always felt that these were typically the most (and sometimes the only) valuable parts. Running an entire conference as a set of BOFs seemed to be a next logical step.

Then last year, I heard the Java Posse describe their Roundup, during their Podcast. It was the first time that I heard the words Open Space and Unconference. I was a little surprised then to see Seth Godin propose the idea a few days ago. He is usually one of the earliest adopters and has appeared as a TED speaker (which is at least in the right neighborhood). Needless to say, I think Open Space will begin to make inroads everywhere.

Branded or Artist Specific TV Stations

In an equally odd and coincidental fashion, I started seeing tweets and blurbs on Bob Lefsetz's site talking about Live from Daryl's House. This show was heavily marketed at SxSW Music this year, and I agree that it is amazing. I've been watching it regularly since first hearing about it. I am somewhat amused by the fact that I would have never considered my self a big Daryl Hall fan in the past.

The timing of this seems to indicate a pattern. BTW, check out the recent episode with Nick Lowe and Daryl!

Conclusion

I think the confluence of people and ideas here in Austin during SxSW, is a major catalyst. I don't believe that it's the breeding ground, but it is certainly a place where you can first observe the early adopters using new things in the wild. Of course, there's a jaded part of me that has tended to scoff at the value of SxSW, because some parts of it seem so commercialized (and political). The impact of the event seems obvious now.

This has led me to the conclusion that I should continue to keep my eye on certain new things in the Tech Industry. Right now, I am fascinated with the Ruby community and what is being done with cloud computing, github, and heroku. I'm sure they will be very prominent at Bar Camp Austin IV.

A Thursday Night at Emos

I received an email from Graham Reynolds early last week, about his Golden Arm Trio show at Emos, on thursday night. Since I happened to be attending the Live Music Task Force meeting at City Hall, I decided to stay downtown and catch some music. After grabbing some food at Best Wurst, I headed over to Emos, for the first show I've seen there in probably 7 or 8 years. I arrived at around 10:15 and the first band was already playing:

Mr. Lewis and the Funeral Five ...

were already on stage. The Tom Waits influence was obvious. They were all good musicians, but this type of music just doesn't work for me for longer than about a set.

Golden Arm Trio

This is about 4th time I've seen Graham play this year, and this time he was using essentially the same lineup that he did at SxSW, and included an AMF friend, Wayne Myers on trombone. For this smaller show, Graham brought along his own console piano. He also opted not to play drums, and had a very exceptional drummer instead. Great job, Graham is quite demonic sometimes when he plays. The crowd was surprisingly into them, and expressed their enjoyment freely.

Firewater

Firewater finished up the night. I had missed them at SxSW, and it was obvious that this show was a result of their trip here in March, and they had a minor buzz. Their base sound is an offshoot of Ska and Dub with an injection of some other world music. I enjoyed the show, as did everyone present. The band played superbly.

Two individuals stood out in the band in addition to leader Tod A, Reut Regev on Trombone and Flugelhorn, and Dhol percussionist, Johnny Kalsi.

I had originally planned on cutting out early during their set, but decided to stay until closing time after I had heard them play. I'll be keeping an eye for them in the future.

Airto Moreira at the One World

I attended a Master Class given by famed Brazilian drummer and percussionist, Airto Moreira, last Sunday (6/8/2008) at the One World Theater. Airto is famous because he played with Miles Davis on Bitches Brew, and was involved in the seminal beginnings of both Weather Report and Return to Forever. It's too bad that Chick Corea couldn't have had him sit on some dates with that tour.

The Master Class was free and afforded all present an opportunity to peak inside the mind of the artist. It consisted mainly of him talking, with a little bit of singing and playing intermixed. It was a little bit different than the other Master Class I had attended there with Terry Bozzio and Pat Mastelotto, which consisted entirely of a performance and very little talking

I was unfortunately unable to attend the show later that night, but my friend Fito did. He enjoyed the show but mentioned that Flora Purim was not present (even though advertised) and they did not have guitarist.

RIP: Bo Diddley

Bo Diddley passed away today. What can you say? He's an icon and a member of the Rock n' Roll Hall of Fame.

Just think about the number of songs that use the Bo Diddley beat. Too many to count, it's part of Rock n' Roll's ancestral DNA.

Additional information here.

Return to Forever Returns

I attended the kick-off show of the Return to Forever Returns tour, at the Paramount Theater. I was quite surprised that it happened in fact, given some of DiMeola's and White's previous comments that the obstacle to a reunion was Chick's religion.

The evening started at the New Amsterdam bar with friends who are mostly musicians and heavy Prog/Fusion fans. We had also gotten together at a Memorial Day BBQ and watched DVDs of RTF (and other fusion bands), as a pregame. After speculating on what the show would entail, we trekked over to the Paramount which was almost sold out.

You could feel a general sense of excitement within the crowd, as they anticipated the show to come. As I took my seat, I noticed that the soundman was playing Tony Williams' album, Believe It (nice choice). I was probably right at the mean age of the crowd, so there were lots of gray ponytails in the audience ;)

I was sitting 6 rows back and 3 seats in from the aisle, on the left with DiMeola and Lenny White directly in front of me. The show began fairly promptly at about 8:10PM with an unusual touch, the band received a standing ovation before they had even started playing. I think this helped them immeasurably, and they appeared to all be in good spirits, as a result. At times, they even seemed quite emotional about it.

All in all, the show consisted of 2 sets lasting 65-75 mins, with an intermission and a 2 song encore. I think the whole thing came in about 2 hours and 40 minutes. Understandably, the first 3 or 4 songs were a little rough around the edges, before they settled into a good groove. I estimate that the house sound wasn't properly tweaked until later in the first set.

I should mention at this time, that I had seen every member of this band except Lenny White, as solo acts. The last time I had seen DiMeola, I didn't really enjoy it that much. I knew Lenny White was a bad-ass though, you don't replace Tony Williams in Miles Davis' band if you aren't. I am not familiar with the RTF catalog with this lineup, since all of my RTF albums have Bill Connors, not Al DiMeola. This didn't detract from my enjoyment of the show, in this context everyone shined.

The songs were all arranged, but there was a good deal of improvisation, even with DiMeola and Clarke using charts. There was enough nervousness on the part of the band, to make the solos interesting and feel honest. I am convinced that if I had in fact returned to see the Friday show, it would not feel like a replay of the night before.

For the second set, they went all acoustic with DiMeola on a nylon string, Clarke on upright bass, and Chick on a Yamaha grand. This was really special. DiMeola's and Chick's playing is almost frightening at times.

Surprisingly, a full account of the show was posted on the website before noon Friday. It includes a Set List and photos. I took a few additional photos with my iPhone.

Return to Forever

If possible, I was thinking I would like to catch this group after they had been touring for a few months, just to see what they sound like. Other than that, I enjoyed this night of music immensely. I have also reconsidered some of the things I said previously about DiMeola.

Miscellaneous thoughts

Last night, I had the misfortune of watching the Spurs lose and drop into a 3-1 hole, in the Western Conference Finals. It would have been more palatable if it weren't for the ending of the game. Brent Barry was obviously fouled, and should have went to the foul line.

On a positive note, 24 hours from now I will be sitting in the Paramount Theater watching Return to Forever. I can't wait!

A strange coincidence

As some of you may know, I'm half Lithuanian, originally from Baltimore, and a big Frank Zappa fan. As a result, it isn't too hard to imagine why that this article caught my eye, in google reader.

Two questions arise:

• Should Montana get a bust of Zappa too?
• Will there be statutes of John Waters, Divine and David Byrne?

I wonder if my Zappa predilection is genetic? It seems that I will have to plan a celebration on August 9th!

Graham Reynolds and Brannen Temple

I trekked down to the Long Center to catch Graham Reynolds and Brannen Temple perform as a duet. Unfortunately, I arrived about 15 minutes late to see them already at work. I estimate there were about 70 people in the audience.

The stage had an interesting layout with a Steinway Grand, 2 drum sets, a vibraphone, and assorted make shift percussion strewn in front of Brannen's kit. Both musicians moved very fluidly between the various "stations" during the show, which lasted approximately 75 minutes.

Some of the highlights ...

• They began with a group of improvisations. Graham played a Steinway Grand, accompanied by Brannen on the traps. The songs all had great interplay between the piano and drums. One piece had a mutated "Trading eights" feel, without being cliche. Graham was playing in his very orchestral, Bartok-ish style with heavy use of left hand octaves and ostinatos.
• They then switched positions on stage, so that Brannen was on Vibes and Graham was on his drum kit to perform one of Brannen's compositions. This was as an interesting change of pace, and the song presented had a completely different feel and texture.
• Changing places again, Brannen performed a percussion solo on a collection of make shift instruments. The instruments consisted of things like barrels, propane tanks, and buckets. I distinctly remember the title of one piece being Boogie's Boogie, a dedication to his infant son.
• The show finished up with Brannen on the percussion and Graham returning to the piano and ending with a variation on a theme by Lionel Ritchie, that would have fit right in with the rest of the Scanner Darkly soundtrack.

I really enjoyed this show, as well as my first venture inside of the Long Center. The music was great and the acoustics were fantastic.

My only criticism: the show was too short!

Austin Art Alliance Party

I was invited to a Thank You party as a result of participating in Art City Austin a few weeks ago. It was held on the grounds of the Art Museum of Austin (AMOA) at Laguna Gloria.

The main reason I'm posting though is to get one up on Mikael Behrens! I see his Pelicans, and raise him some Peacocks!

The 2008 Baltimore Orioles

Well my Orioles are presently sitting in 2nd place, but for how long? This is the first year in a long time, that I have not purchased MLBTV. I'm treading around this softly, like there's an open container of Nitro nearby. Shhhh ... don't jinx it!

In other news, the Spurs are up 1-0 over the Suns in the first round of the NBA Western Conference playoffs. Damn the 2:00PM start time to hell, it sounds like I missed one of the best playoff games ever. (At least for Spurs fans).

RIP: Brian "Blinky" Davison

Brian Davison, drummer for Keith Emerson's first band, the Nice, passed away on 4/15/2008. He also played with the band Refugee, with another keyboard wiz, Patrick Moraz.

Like many prog fans my age, it didn't take too long to discover the Nice, after learning about ELP. If you have never heard the Nice before, then let me suggest the albums Five Bridges and Elegy (the two of which has been re-released in a single package, as Keith Emerson with the Nice).

Art City Austin - Art After Dark

As a result of volunteering to help the Austin Music Foundation man their booth, I obtained an all access pass to the Art City Austin and Art After Dark events, downtown on South 1st Street around City Hall. It's events like this that make living in Austin great.

Arriving late Saturday afternoon, I crossed the First Street bridge which had been closed to traffic. Over the last 50 yards or so, the bridge was sparsely populated with shrub/sculptures that looked like humans. (Way cool!) The weather was outstanding!

I arrived at the booth around 5PM and discovered that I had missed the Octopus Project again (Doh!). I was however, able to watch Del Castillo do their sound check. They played a very solid set that I estimate ran about 90 minutes. I agreed with several friends that this art oriented crowd seemed more concerned with the party inside City Hall and the after hours viewings. This was too bad, these people missed a very good show.

On Sunday, I arrived early to catch part of Guy Forsyth, walk some of the exhibit tents and booths to view the sculptures and paintings, and then move further down to the other stage to catch Opposite Day and my friend Ric Furley's band, Mundi. Both bands were great, Opposite Day was a great Power Trio, who were probably a little too loud for the mixed age crowd.

I would hazard a guess that almost everyone enjoyed Mundi, a 5 piece with Ric on Drums and Percussion, bass, cello, violin, and acoustic guitar. I will have to it point to see Ric's other project, Sabbath Crow.

The day wound down with a Conjunto type of band from Denton, Brave Combo. Good musicians, but not really my cup of tea. On the way out, I was surprised to see that someone had erected a temporary hedge sculpture on the 1st Street Bridge.

Les Claypool (with Tim Fite opening) at Stubbs

Tim Fite

This is the third time I've seen Tim Fite and side-kick, Dr. Leisure, perform. Since he evokes memories of Andy Kaufman, I really enjoy his act. It took about 15 minutes for him to win the crowd over with his zaniness. (A little longer than the other times that I've seen him).

If you've never seen him and get the chance, do it!

Les Claypool

I was tentative about going to this show, because in the past I have found some of Claypool's music to be repetitive and annoying. His band looked interesting enough with 4 players on sax, marimba/vibraphone/percussion, drums, and bass. Unfortunately, my worst fears were realized, and were combined with bad lighting, bad sound (the sax player may as well have not been there), and inaudible vocals.

I estimate that he played about 2 hours, but I found myself wanting to leave halfway through the show. A large part of my irritation was Claypool's sound selection. I don't think I will be going to another Claypool show for a good long time.

U2 3D

Over the past few months, I have tried to talk several friends into going to see the U2 3D movie at the TX History Museum IMax Theater. With this being the final week of showing, I said screw it and went by myself. All of the reviews I have read said this was not to be missed.

I enjoyed it immensely but it wasn't quite what I expected. They still use stereoscopic technology, so the glasses were required. Unfortunately, a calibration problem at this facility resulted in some images appearing with pink shadows or halos rather than a sharp 3D image. Perhaps it was better in other parts of the theater, although I'm not 100% convinced of that.

In general, U2 is a great live band. They are always tight, have an excellent song selection, and look like they truly enjoy being on stage. This was captured on the movie which from the credits appeared to have been derived from two shows, one in Argentina, and one in Australia.

The biggest disappointment for me was the camera angles. In some cases, like the shots of drummer Adam Clayton, they did a fantastic job. In other cases, however the 3D effect didn't work that well. U2 is very fond of using large light displays behind their stage. In many cases, this seemed to distract from the 3D effect.

Bottom line: If you haven't already seen it, I would still recommend that you go. This is obviously the future of entertainment. There is more to follow ...

Albino Squirrel Sighting

Well, I saw an albino squirrel today, and took these 2 pictures as proof. I tried to get closer, but the little critter was pretty cagey, and suspicious.

SxSW Music - Day 4

The final day, and the weather is still holding up. In fact, I'm wearing shorts

Panels

• I started the morning with the Daryl Hall interview. It was great to see that Daryl is still an Indie musician at heart, and is one of us in spirit. Lots of questions from the Interviewer and the Audience about the whole Sacred Songs and Exposure debacle. Daryl is quite an interesting guy, and I give him major kudos for the Live From Daryl's House webcast site. Here is a major artist that gets the Internet, and wants to bring back shows like Don Kirchner and the Midnight Special.

I would have liked to have stayed for the Alan Parsons panel at 3PM, but was on the hook to go watch my friends in Proteus and Coalition play at the Hi-Lo.

Music

• I started out the afternoon, to watch Ed Martinez, Dave Johnson and their bands, Proteus and Coalition. Both bands are tight and play great fusion/prog music. Like One2One, Hi-Lo is a bar where the windows can be completely opened, so that people can see and hear the band from the sidewalk. People were stopping and then jammin' along to both bands. What a great afternoon.
  
  

  Here are 2 pictures of Proteus in action:
  

• Ran into my good friend, Ted from Thirteen of Everything, and went to see the experimental group, Jandek. I like some pretty strange Avant-garde music, but this was beyond me.
• I then trekked down to Stubbs to catch another friend Scott Brackett and his band, Okkervil River. They're a high energy, folk influenced pop rock act and won the best Indie Band, in this year's Austin Music Awards. They were followed by Austin legend, Roky Erickson, who sounded much better than any previous videos I had seen.
• I managed to catch one song of the Pedro Menedez Ensemble at the Elephant Room. I probably could have caught more, but they seemed to be on Jazz Time while setting up.
• For the final show of SxSW, I went to the Hideout and caught AMF friend, Josh Robbins and his band the Invincible Czars. Very Zappa-esque, crazy and fun. Josh you're a madman and great guitarist.

SxSW Music - Day 3

A third straight day of fantastic weather, what could be better.

Panels

I attended 2 panels.

• What is the Future of Record Companies and Artists Deals - actually a CLE for the lawyers. I just found out from my friend Alissa, that this was the first year they were open to non-lawyers. Kind of funny, I never realized that in previous years, and attended anyway.
• Mobility, Ubiquity and Monetizing Music - great talk. Only Pearlman really got it. Had interesting stats from Ed Felton out of Princeton and China. 30 Million classic music hobbyists and aficionados.
  

  I was very annoyed at the typical rhetoric against the Free Market, from some of the pundits on this panel. If I hear another lawyer arguing about how government saves us, I'm going to puke.

Music

• First act I saw was Paddy Casey, on the DirecTV stage. I'm not normally a fan of singer songwriters, but this guy is just Incredible. He sang and played acoustic guitar, with a background singer/pianist. I would buy this guy's CD in a heartbeat.
• I went to the Brush park party, hosted by the Australians. Can't remember much other than some free Vodka samples and food.
• To begin the evening, I went to the Tim Fite Hosts show at Antones. Bear In Heaven was the first act, after a humorous intro monologue by Tim. Finding no honey with these bears, I left.
• I stopped by Cedar Street, and caught part of Fastball. They are an Austin band that had a Top 40 hit in 1999. Pop rock, that is very well done. Cedar Street was even more crowded than the night before with Tim Fite. At least 3 rows of people on the 4th Street sidewalk.
• I then went to the Tiniest Bar in Texas to catch deSoL. Apparently, I screwed up and they had played the night before. I stayed a bit and watched the White Ghost Shivers, instead.

St. David's

I finished the night catching 3 fantastic shows at St. David's Church. This is officially my favorite venue.

• First up was Sxip Shirey. Holy f*cking crap, was this guy amazing. He basically has some pedal effects, a microphone, harmonica, and table of toys. A former guitarist who came up with career ending tendinitis, he turned to making music in non-traditional ways. I would fail miserably to describe what he does in words. (He does for Music, what Tim Burton does for film). He was joined by an equally amazing Human beatbox performer for several songs. This show totally blew away some of my previous conceptions about live musical performance and instruments. A must see, if you ever get the chance. He lives in Brooklyn.
• Graham Reynolds and the Golden Arm Trio were next. Another amazing Austin musician who I have gotten meet through AMF. The Trio was actually a quartet, with a Cellist, Trombone Player (Wayne Myers another AMF acquaintance), Saxophonist, and Electric Bassist. Graham plays Piano and Drums and is an unbelievable talent. He is always entertaining.
• The Brannen Temple Trio with D Madness on bass. An Austin Jazz Trio with Drums, Steel Drums and Electric Bass. My friend Brian over at Mixtank has been ranting about D Madness for a while. Now I know why.

Screw ups of the day

Not putting the deSoL show on the right day in my calendar.

SxSW Music - Day 2

A second awesome day of weather. This makes up for a SxSW I went to 10 years ago, where it rained every day

Panels

• I caught the tail end of Lou Reed Keynote, no need to book the Hilton Ballroom, this year! LOL ;)
• The first panel was the Performance Royalty Debate, led by AMF Board Member, Chris Castle. Very interesting talk with reps from SoundExchange, A2IM, AFTRA, and others. Chris Castle did a great job as host and antagonist, keeping the whole panel on their toes. Each group was still protecting their own interests first, exactly as you would expect.
• I then attended the Steve Reich Interview. (This is how I discovered that I had missed the night he had hosted at St. David's. Doh!) Fantastic interview, I took some notes, but hope that a Video Podcast will eventually appear on the SxSW site. He had lots of interesting things to say about the Beatnik generation that he grew up in, and particularly Jazz great, John Coltrane. I stand in awe of the great Composer, and Musicologist!

Music

After the morning lightning round of panels, I went to go see more music.

• It started with the Austin Music Foundation Party at the Music Gym. Austin music diva and Rockstar SuperNova contestant, Patrice Pike. Great day outside, and great music.
• After the party wound down at 4PM, I went back to the Convention Center and caught, Martha Wainwright on the DirecTV soundstage, the Long Star Lounge. I had seen her last year at La Zona Rosa show with Rachel Fuller. She was fantastic and her band was awesome.
• I went upstairs to look over the Trade Show. It has gotten worse each year. Lots of booths with irrelevant vendors. Most hawking nameless digital music services, that I had never heard of before entering the room.
• I started the evening at Stubbs for the Body of War show. This is part of the promotion for a documentary film with the same name, produced by Phil Donahue. (Who was in the audience). The music consisted of Tom Morella (Rage Against the Machine, Audio Slave), Serj Tankian (System of a Down), Ben Harper, Billy Brag, and others. Interesting Serj played piano, Tom played the blues and sang, Billy Brag was awesome. A group encore completed a very enjoyable show.
• I managed to walk across town to Cedar Street and caught the end of Tim Fite. I was blown away by Tim, 2 years ago at Antones. Word has gotten around, and the house was packed. He was entertaining as always, but Cedar Street is probably not the best venue for his multimedia fun.
• On the way back, I happened by One2one (non-SxSW venue) with the windows open, and the house a rockin' with the Everyday People. Outside, I ran into the drummer from Cellus and Loose Grip, Mike Burnall, whom I had met at the Ron Paul fundraiser in SA. They were on a split bill at the same bar. Mike introduced me to del Castillo bassist, Bert Besteiro. Both bands were interesting enough to make me stay for a parts of both sets.
• I finished the night with the Abigail Washburn and Bela Fleck show, at St. Davids Episcopal Church. There was a bit of a line, that included Jackie the Jokeman Martling. This room, a chapel, had incredible acoustics and the show was unreal. A very memorable experience. (Driving home the realization about what I probably missed at this venue the night before with Steve Reich).

SxSW Music - Day 1

Today was the first day of SxSW. It started out slightly overcast, but cleared up nicely as the day moved on.

Panels

• I started off the day, with the Tour Smart panel hosted by ex-PiL drummer, Martin Atkins, Eddie Spaghetti from the Super Suckers, and some nameless manager from Live Nation. All I can say is Wow, Martin is the bomb. He basically monopolized the time, but thank god he did. He had a very engaging set of slides, had a great humorous delivery, and showed real creativity. This was the best panel I've ever attended in 4 years of attending the Conference.

  I had no problem forking over $20.00 for a copy of Martin's book and DVD afterward, because what he said was so valuable. He is continuing the Punk, DIY attitude that I love.

• For the second session, I attended a talk by three lawyers on Red Flags in Contracts. Honestly, even though they had huddled beforehand and had handouts, they didn't really make the subject accessible to those in the audience, who weren't members of the Bar. They needed someone like Martin Atkins on their panel. Too bad, I think it is important for artists to understand this stuff.
• The last session I attended was Accounting in Record Deals. It was another case of being dry, but important. Fortunately, the presenter actually had examples of real deals, with a brief explanation. I have a set of the slides hopefully coming via email. Of course, maybe the whole subject is moot, because the whole concept has changed in the Digital Age.

Music

The panels are interesting, but the music is king.

• I started out the night going to see Van Morrison at La Zona Rosa, with some friends. Apparently the show was under Martial Law. The bar was closed during the entire show, by edict from King Van. There was also some heavy handed enforcement of the no photographing policy via cell phones. While I understand the objection, this was a little over the top.

  I guess I would of overlooked this, if I felt like I attended an exceptional show. Frankly it was boring, and lacked passion. Talking to some other people, it sounds like this is par for the course. (Next)

• The refurbished Austin Music Hall, was next on the list with the Austin Music Awards. It was crowded and I was able to see Lyle Lovett and Pinetop Perkins, as well as several other acts. Not stellar, the acoustics weren't that great. This is the first time I went to check out the awards, and it will probably be the last.
• During the walk back towards Red River, I happened across The Photo Atlas at the Cedar Door. They weren't bad, just not my cup of tea.
• I also randomly walked into Buffalo Billiards, and saw Goldspot, a band from LA. A very well done light rock/pop show. Austin beatbox artist, John Pointer joined them on stage for one number. I enjoyed it, but can't say I would buy their CD.
• Hopewell and Earthless at Bourbon Rocks. Both of these bands were interesting, but loud. This was the show that made me regret forgetting my earplugs.
• I attempted to get in line for REM at Stubbs, and after seeing the futility there, ended up seeing The Acorn from Ottowa, CA at Habana Patio. These guys were great. Easily the best act of the night on my itinerary.

Screw ups of the day

• Forgetting the earplugs!
• Going to see Van Morrison
• Not seeing Daryl Hall
• Not noticing the Steve Reich show at St. David's Church

Brain Science

Brain science seems to be a popular topic in the Blog/Podcast Sphere. I recently ran across the following:

• A two part episode of Geoffrey Grosenbach's Rails Podcast featuring Brain Rules author, John Medina.
• A very cool blog post pointing to a research paper about how the brains of improvising Jazz musicians work.

I found both of these to be very interesting. Much to ponder.

In other news, my mood is both excited and happy, with SxSW Music commencing tomorrow morning!

Barcamp Austin III

Having attended the SxSW Music Conference for the last 4 years, I have often considered also attending SxSW Interactive. Being a contractor however, I couldn't justify taking over a week off from work, since the 3 days off for the Music Fest are bad enough. After hearing about the Austin Barcamp, I was immediately interested.

Barcamp is an Open Space Conference (or unconference if you like). It is chaotic, anarchistic, emergent, and free (although attendees are encouraged to leave tips via PayPal, if they find it useful). I liked the concept, as soon as I read about it. Since I enjoyed the experience, I plan on leaving a donation.

This installment was held in the GDS&M offices on West 6th Street in Austin. I arrived around 1:30PM and ran into many old friends from the Austin Tech Community. In addition, I was also able to meet Michael Cote from the Drunk and Retired podcast, and rub elbows with other Internet Celebrities.

After attending 3 adhoc presentations, and engaging in multiple chats around the water cooler, the evening was topped off by the Karaoke Apocalypse, where a few lucky attendees got to sing, backed by a four piece band. A good time was had by, and I plan on attending future Barcamps, and other Open Space events.

RIP: Led Zeppelin Reunion Tour

First Roger Waters said no to a Pink Floyd reunion, now Robert Plant has said no to THE reunion tour. The people that saw the London show should consider themselves lucky.

RIP: Jeff Healy

I heard about this first from a Facebook post by Paul Garay, from Inside Home Recording. Last night, guitarist Jeff Healy, passed away. It was always inspiring to watch Jeff perform, given his challenges.

Another great one that will be missed. It is truly sad because he was still so young.

RIP: George Allen Buddy Miles

Good thing I listen to podcasts or I would have missed this news. Former Band of Gypsys drummer, Buddy Miles passed away this past Tuesday. When I hear his name, I will always associate it with Jimi Hendrix and the song Them Changes, which I played on many occasions with Tom Limbaugh.

The biggest surprise for me however, was finding out that he was an Austin resident. I was totally unaware of that fact.

A new type of Flash Mob

I participated in a very interesting experiment today, and am still pondering what to make of it.

I really enjoy new media, and love Podcasts. I listen to Adam Curry's Daily Source Code (for over 2.5 years now) and No Agenda podcasts. I was at my computer, and actually listening to the DSC 724 and was also following twitter.

Strangely enough, Adam tweats about working on a new studio setup and I responded about how funny it was that I was listening to his show. He then tweats again a few minutes later that he is testing a Live Podcast on Talk Shoe and posts a tinyurl. I was one of the first people to jump in the room, but was amazed to see that there were already 3 others joining me. Within about 3 minutes there was easily 30 people in the room, from all over the US and Europe, and I'm in a live conversation with 4 other people and Adam on my cell phone, while the whole things is being streamed out to the Internet. I estimate that the crowd grew to 70 or so people.

I was simply flabbergasted at how quickly a virtual flash mob was spawned by one random tweat. The implications of this are staggering to me.

Off Season Thoughts

Well the SuperBowl is over (good game, but I found it hard to care about the outcome), and the Ravens have their new coaching staff in place. So far, things look good. I like what I've heard about John Harbaugh, our new OC, Cam Cameron, and am happy that we retained Rex Ryan. I like all of the moves we made on the offensive side of the ball with the Quarterback, Running Backs, and Receivers coaches. If we're healthy, we could easily be the number 1 Defense again.

The big question for Raven's Nation will be, "Will we finally have an NFL caliber offense?"

Stomach Virus thwarts VH Plans

I came down with this nasty Stomach Virus after seeing Ari Hoenig. Despite having tickets, I was unable to see Van Halen at the AT&T Center, in San Antonio. C'est la vie!

Snarky Puppy and Ari Hoenig at the Flamingo Cantina

A least minute email from a friend tipped me off to this show, this past Monday night. I arrived at 9PM and the opening act, Snarky Puppy had already begun. They're a groove oriented, Jazz outfit which normally has 9 members. They were supposed to have 7 people at the gig that night, but the Percussionist was ill. (Strangely enough, I came down with a brutal stomach virus the next day that put me out of commission for 2 days).

The lineup I saw, had Keys, Guitar, Sax, Trumpet, Bass and Drums (and guest Trombonist, who came up for one song). The music was very creative and I would go see them again. The Rhythm Section, Saxophonist and Keyboardist really stood out. I enjoyed the textures and the polyrhythmic chops of the drummer.

The headliner was Ari Hoenig, who appeared with his trio, Punk Bop. I really enjoyed his show and his playing. He was accompanied by an Electric Guitarist, Gilad Hekselman, and Bassist, Orlando LeFleming. They performed for about 90 minutes with some originals as well as classics from Coltrane and Monk. All 3 were exceptional musicians, but I was really impressed with Gilad. He was a master of playing in an understated way, no pyrotechnics, but everything spot on.

I would go see both of these acts again. Very well done.

Billick Era Over

You may have noticed that I stopped blogging about my Ravens, when their 9 game losing streak was in full force. It was quite depressing to see a team go from 13-3 last year, to 5-11 this year. Since I refuse to be a bandwagon fan, I still watched every game. Having to "take it like a man" just like the DirecTV commercial guy, says.

To make matters worse, this is the first time in 8 seasons that I was unable to get back to Baltimore to see at least 1 game. Strangely enough, fate intervened when I was supposed to see them play the Rams, which ended up being the last win before the losing streak.

Anyway, Steve Biscotti pulled the trigger and fired Brian Billick and all of his assistants, with the exception of Rex Ryan. I have mixed feelings about this, since Billick had a winning record, a Super Bowl, two Wildcards and two Division titles. But, our offense has never been more than putrid since his arrival. Rumor has it that he had lost the team.

Now the speculation begins ... Rex Ryan? Cowher? Marty Schottenheimer? Marv Levy?

RIP: Oscar Peterson

Being on Christmas vacation with my family, it took me a few days to get near a computer to post. Another Jazz great, Oscar Peterson, passed away on 12/23.

I'm still kicking myself. Although given ample opportunity to try and catch Oscar, I never saw him live. I have seen multiple videos, he was truly a frightening player. I wonder if there is really is anyone else who will be able to carry the torch of Art Tatum, like Oscar did.

MPTU at the Saxon Pub

I trekked over to the Saxon Pub last night (actually this morning) for a midnight show of the latest Austin supergroup, MPTU. The lineup is Pat Mastelotto (from King Crimson, XTC, Mr. Mister), Malford Milligan (Storyville), Phil Brown (Little Feat), Mark Andes (Canned Heat, Heart and others). I joined a small crowd of approximately 25 people, to listen to the 75 minute show.

They opened the set with instrumentals, a rendition of Jeff Beck's Pump. Phil is mainly a Strat player and is obviously into Beck, Clapton, and Allan Holdsworth, and is also a great singer. I'm going to have to go back and see if he's on any of the Little Feat albums that I own. He was surprised that I recognized his quoting of Holdsworth's song, Fred, when I spoke to him after the show.

Malford's singing as always, was amazing. He did manage to fit some Storyville songs like Bitter Rain, into the set. For the remainder, I have to admit that I didn't recognize too many of their songs, yet. So I guess I will have to buy the MPTU CD when it's released, but I believe they played everything up on the myspace page. They sounded great, and delivered the goods despite the crowd size.

P@ surprised me with his versatility. I have seen him with KC, ProjeKct 3, Terry Bozzio and KTu. All progressive or "art" rock type of setups. In MPTU, it's straight forward rock, blues and soul. As always, his drumming is powerful, but tasteful.

One thing is for sure, I will try and catch them again, next Tuesday, and at Momo's and/or Antones this month. I'm hoping that perhaps I will be allowed to take a Picture or two, at a future show.

Wow, this jogged my memory

I followed a link over at the DGM site to Trey Gunn's site and stumbled across this entry about the formation of KTU:

Seeds for KTU took root at SXSW in Austin Texas in March 1999 when Kimmo Pohjonen shared a billing with Mastelotto/Gunn/Fripp's Project Three at the Electric Lounge.

I then had my holy-crap moment, since I was there. I clearly remembered seeing ProjeKct 3, but had forgotten about the opener, Kimmo, until just now. Everyone in the crowd was raving about him. I guess he made an impression on Trey and Pat too! (or is that tu?)

To complete the circle, I was able to catch KTu last year at SxSW.

Fripp announced ...

that Gavin Harrison (presently the drummer of Porcupine Tree) will be the newest member of King Crimson. I can't wait to see this show.

Tool at the Frank Erwin Center

I saw Tool live for the first time live, last night. Rumor has it, that this tour may be their swan song.

In general, I have a great distaste for large Arena shows ever since seeing the Police at Shea Stadium in 1984, and this concert did nothing to change that outlook. My seats were up on the upper level, stage left, pretty much even with the front of the stage. As a result, the sound was so-so, but not particularly loud. It also allowed me to see the stage floor, which was a white surface and used throughout the show as a projection screen. This was used throughout for displaying arcane Sacred Geometry figures.

The light and video portion of the show was pretty awesome, although my view of the screens behind the stage was somewhat hindered. The band is tight, and Maynard seemed to be on. However, after the Zappa Plays Zappa show the night before, this show was a bit of a let-down. The 2 hour duration almost seemed like a rip-off, after Dweezil's 3 1/2 hour marathon.

One of the strangest things about this show was that they brought out Terry Bozzio to jam with the band on a song. He played percussion, a couple of Timbales, a Dumbec and a Cymbal. I guess I was surprised, because I had thoroughly scanned the house the night before at the Zappa Plays Zappa show, and did not spot Terry anywhere. Perhaps he was back stage at the Hogg, I had assumed that he wasn't in town.

Tool play a mix of material from their 5 albums. I specifically remember Schism, 46 and 2, and Prison Sex. I was disappointed that they didn't do Aenema. Good show, but not great.

Zappa Plays Zappa - Part Deaux at the UT Hogg Auditorium

For the second time in less than a year, I saw the Zappa Plays Zappa show at the UT Hogg Auditorium. This time, the special guest was Ray White.

There were several surprising things about this show:

• At various times, including the opening number, the Mystery Man, the band accompanied a video clip of Frank. They also accompanied his vocals on Dumb All Over, and one other song that I can not remember now.
• The set lasted approximately 3 1/2 hours again, but there was no intermission this time around. Dweezil did not leave the stage at all.
• There was virtually no overlap in the set list, with the show I saw last year. This time around there was new material from Zappa in New York, You Are What You Is, and Joe's Garage.
• There was a song improvised from phrases submitted by the audience. This worked very well.
• Terry Bozzio was surprisingly not visible. (Perhaps he was backstage?)

I can't say much else other than Ray White is fucking amazing, and this show is one of the best things going right now. I'm still kicking myself for not noticing the DVDs from the 2006 ZplaysZ show on the Merch table. Hopefully, I can snag one via another method.

The biggest chuckle I had this night was a young couple. The woman was wearing a Titties and Beer T-shirt and her SO had one that said Pussy and Coffee. Unfortunately, Dweezil resisted the urge to play Frank's most requested song immortalized on her shirt.

Porcupine Tree at the Meridian in Houston, TX

Two nights ago, I was able to see Porcupine Tree perform for the second time on the Fear of A Blank Planet tour. With all the turmoil from the move, I contemplated not going to this show, but then decided otherwise. So, I made the 3 hour drive, with my friend Biggie, following some other friends Alissa and Ron from AMF.

As before, the opening band was 3 from Woodstock, NY. Three has progressed quite a big, and sounded much tighter than the last time I saw them. In addition, I was able to talk the Joey and Joe from the band and do some reminiscing about my days in the MHV playing Woodstock.

I estimate PT played about 2 hours this time around, with a set list very similar to what I heard in Boulder back in May. The sound was good, but not as good as the Fox Theater. Sight lines however, were excellent since I was able to spend the first half of the show about 4 rows from the stage.

Afterwards, it was interesting to see that Steven Wilson was outside signing posters, and taking pictures with a group of about 30 fans. Other interesting tidbits were a verification (I won't say how I found out) that Gavin Harrison is the fifth member of the new King Crimson lineup. All in all, a great show.

Well, this floored me

With all the hassles of moving, I have been more than a little frazzled. Reading this entry by Adrian Belew really put things back into perspective.

Happy Bday?

Well I celebrated the week leading up to my birthday, finding out that I may have to move unexpectedly. It seems my Apt was actually a Condo, and it is alleged to have been foreclosed. So rather than going back to MD, I ended up starting to preemptively pack. ;(

Fortunately, the Ravens helped me today by winning. The offense was effective but not impressive, the defense was punishing. Samari Rolle was finally back! One more week until our bye, and then Trevor Pryce is hopefully back. Watch out NFL, you haven't seen the full strength Raven's defense.

Frank Marino and Mahogany Rush at Antones

Well I had made a mental note to try and catch Umphrey's McGhee at Stubbs, but didn't realize it conflicted with the Frank Marino show. Frank won because I already had the tickets.

I estimate that Antones was filled to 80% of the capacity last night, and started thinning out about 2 hours into the show. The average age of the crowd was about 44 years old. Nothing unexpected here.

Frank's band consisted of a rhythm guitarist (who played a Strat and also played Electric Violin), bassist and drummer. The show lasted a little over 3 hours, but I can honestly say that I would have been happy if he had stopped at the 2 hour mark.

There was nothing wrong with Frank's playing, he's very accomplished. He's an encyclopedia of 70's and 80's rock guitar technique. Basically, extended guitar soloing, over grooves. Honestly though, I found him repetitive after a while. Robert Fripp deliberately moves his students to NST, to avoid pattern playing (among other reasons), Marino's playing reminded me why this is.

For most of the night, he played a Gibson SG and I estimate he sang on only 4 songs. He needed to sing more. He performs a lot of covers, of which I specifically remember Voodoo Child and Red House. He also did a somewhat interesting version of Amazing Grace (making the guitar actually sound like Bagpipes in spots). Surprisingly, he did not play Strange Dreams, which might have been interesting without a keyboard player.

All in all, a good show, but not great.

Interesting KC news

Well I'm still stinging from the Raven's loss to the Poop Stains yesterday, but Monday is a new day and I was excited to hear about line-up 8, of King Crimson. I followed a link from the DGMLive Site, where Pat Mastellotto has given away the fact that this line-up will be a 5 piece.

The quote: We will be a 5 piece and i think you know 4 of us. In fact I'm sure you know the 5th man too (an incredible drummer that i will be delighted to work with). I think you'll have to tune in to Robert's diary over at the DGM site and await the official announcement.

My first guess and hope is Terry Bozzio, based upon the comment about the tour being restricted to the US. However, these other possibilities come to mind:

• Danny Carey - particularly if I were betting on this
• Jerry Marotta
• Eric Slick
• Bruford? - maybe the hatchet has been buried again

I was tempted to add Gavin Harrison, but I think he has way too much going on with Porcupine Tree and 05Ric. It also occurred to me that this might be a trick, where the 5th member is not the drummer, Belew is the drummer, and it's someone like David Cross or David Sylvian.